American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture (Contributions to Zombie Studies) - Tapa blanda

Libro 2 de 26: Contributions to Zombie Studies

Bishop, Kyle William

 
9780786448067: American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture (Contributions to Zombie Studies)
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ISBN 10: 0786448067 ISBN 13: 9780786448067
Editorial: McFarland, 2010

Sinopsis

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity.

This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

Instructors considering this book for use in a course may request an examination copy here.

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Acerca del autor

Kyle William Bishop is an associate professor of English and film studies and serves as the Honors Program Director at Southern Utah University in Cedar City, Utah. He has presented and published on a number of zombie-related texts and has authored two other monographs with McFarland.

De la contraportada

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

De la solapa interior

Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition.

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
McFarland
Año de publicación
2010
Idioma
Inglés
ISBN 10 
0786448067
ISBN 13 
9780786448067
Encuadernación
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Número de páginas
248
Contacto del fabricante
no disponible
Persona responsable
gpsr@libri.de
gpsr@libri.de

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