Literary critics, textual editors and bibliographers, and historians of publishing have hitherto tended to publish their research as if in separate fields of enquiry. The purpose of this volume is to bring together contributions from these fields in a dialogue rooted in the transmission of texts. The book is intended as both an argument for and demonstration of the potential of this realignment of literary criticism, textual criticism and the history of the book. Arranged chronologically, so as to allow the use of individual sections relevant to period literature courses, the book offers students and teachers a set of essays designed to reflect these approaches and to signal their potential for fruitful integration. Some of the essays answer the demand "Show me what literary critics (or textual editor; or book historians) do and how they do it", and stand as examples of the different concerns, methodologies and strategies employed. Others draw attention to the potential of the approaches in combination. All are concerned not simply with literary texts per se, but with the way in which the transmission of those texts is itself a process productive of meaning.
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Literary critics, textual editors and bibliographers, and historians of publishing have hitherto tended to publish their research as if in separate fields of enquiry. The purpose of this volume is to bring together contributions from these fields in a dialogue rooted in the transmission of texts. The book is intended as both an argument for and demonstration of the potential of this realignment of literary criticism, textual criticism and the history of the book. Arranged chronologically, so as to allow the use of individual sections relevant to period literature courses, the book offers students and teachers a set of essays designed to reflect these approaches and to signal their potential for fruitful integration. Some of the essays answer the demand "Show me what literary critics (or textual editor; or book historians) do and how they do it", and stand as examples of the different concerns, methodologies and strategies employed. Others draw attention to the potential of the approaches in combination. All are concerned not simply with literary texts per se, but with the way in which the transmission of those texts is itself a process productive of meaning.
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8vo, (220x150mm), xii,231p. 7 illustrations. A very good copy in original black hardback boards, silver gilt lettered, dustjacket. This book offers an informed study of the processes by which a literary text reaches its readers; a presentation of the issues in publishing history that arise in particular periods of post-mediaeval English literature and seeks to integrate publishing history with critical readings of texts. Containing: Maureen Bell Introduction: the material text, Lynette Hunter Why has Q4 Romeo and Juliet such an intelligent editor? Paul Hammond Marvell's coy mistress, D.F. McKenzie Congreve and the integrity of the text, C.Y. Ferdinand The economics of the eighteenth-century provincial book trade: the case of Ward and Chandler, Roger Lonsdale Thomas Gray, David Hume and John Home's Douglas, David Fairer Coleridge's Sonnets from Various Authors (1796), Inga-Stina Ewbank Reading the Brontës abroad: a study in transmission of Victorian novels in continental Europe, Simon Eliot Sir Walter Scott, sex and the SoA, David Richards Making (pre-) history: Mycanae, Pausanias, Frazer, James L. West Editing private papers: three examples from Drieser, Martin Dodsworth Coercive suggestion: rhetoric and community in revaluation, Hermione Lee Re-reading Elizabeth Bowen, Alistair Stead `Drastic reductions': partial disclosures and displaced authorities in Muriel Spark's The Drivers Seat, Peter D. McDonald J.M. Coetzee and the burdens of censorship, Martin Butler Prospero in Cyberspace, Shirley Chew Texts and words in Amitav Ghosh's In An Antique Land, and Christopher Ricks Congratulations. Nº de ref. del artículo: 24232
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