This title was first published in 2001: Alastair Williams examines and explains the theoretical issues raised by different musics, including the Western canon, popular music, folk music and music by women. A theoretically informed musicology, he argues, can reflect on its own procedures and create strategies for particular problems as they arise. In this sense the book offers a musicology under construction.
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Alastair Williams is Reader in Music at Keele University, UK. He has research interests in modernism and modernity, Austro-German music, critical theory, and subjectivity in music. He is the author of New Music and the Claims of Modernity (Ashgate, 1997), Constructing Musicology (Ashgate, 2001), and Music in Germany since 1968 (Cambridge, 2013), and a contributor to The Cambridge History of Twentieth-Century Music (2004). He has also published articles in a wide range of music journals. He has received funding from the Alexander von Humboldt Foundation, the British Academy and the Arts and Humanities Research Council.
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