The first anthology to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives
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Jonathan Murray is Senior Lecturer in Film and Visual Culture at the University of Edinburgh. He is the author of The New Scottish Cinema (2015) and Discomfort and Joy (2011), a Contributing Writer for Cineaste magazine and co-Principal Editor of Journal of British Cinema and Television.
Nea Ehrlich is Lecturer in The Department of the Arts at Ben Gurion University of the Negev in Israel.
Drawn from Life: Issues and Themes in Animated Documentary CinemaEdited by Jonathan Murray and Nea EhrlichDocumentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers go yet further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first anthology publication to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of EdinburghNea Ehrlich is Lecturer in The Department of the Arts at Ben Gurion University of the Negev in Israel
Drawn from Life: Issues and Themes in Animated Documentary CinemaEdited by Jonathan Murray and Nea EhrlichDocumentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers go yet further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first anthology publication to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of EdinburghNea Ehrlich is Lecturer in The Department of the Arts at Ben Gurion University of the Negev in Israel
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Hardcover. Condición: new. Hardcover. Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema. From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780748694112
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Condición: New. Drawn from Life, a multidisciplinary anthology, introduces readers to a diverse range of filmmakers past and present who use the animated image as a documentary tool. In doing so, it explores a range of questions that preoccupy twenty-first-century film artists and audiences alike. Editor(s): Murray, Jonathan; Ehrlich, Nea. Series: Edinburgh Studies in Film. Num Pages: 272 pages, 30 black and white illustrations. BIC Classification: APFN. Category: (G) General (US: Trade). Dimension: 234 x 156. . . 2018. Hardcover. . . . . Nº de ref. del artículo: V9780748694112
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Hardback. Condición: New. Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike: Why use animation to document? How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political? From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema. Nº de ref. del artículo: LU-9780748694112
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