Artículos relacionados a Deleuze and Performance (Deleuze Connections)

Deleuze and Performance (Deleuze Connections) - Tapa blanda

 
9780748635047: Deleuze and Performance (Deleuze Connections)
Tapa blanda
ISBN 10: 0748635041 ISBN 13: 9780748635047
Editorial: Edinburgh University Press, 2009

Sinopsis

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.

"Sinopsis" puede pertenecer a otra edición de este libro.

Acerca del autor

Laura Cull is a Lecturer in the Visual and Performing Arts Division at Northumbria University and Chair of the PSi Performance and Philosophy working group.

De la contraportada

The vitality of Gilles Deleuze's enduring influence is nowhere more apparent than within the folds of performance. Laura Cull's own precision of thought on these matters is given exquisite, seamless form in this indispensable collection by a first rate cast.Alan Read, Professor of Theatre, King's College LondonThis is a welcome addition to the fields of both performance studies and Deleuze studies, one that is sure to stimulate productive research and practice across many domains for years to come.Ronald Bogue, Professor of Comparative Literature, University of GeorgiaWas performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'?Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.Laura Cull is a PhD candidate in Drama at th

De la solapa interior

The vitality of Gilles Deleuze's enduring influence is nowhere more apparent than within the folds of performance. Laura Cull's own precision of thought on these matters is given exquisite, seamless form in this indispensable collection by a first rate cast.Alan Read, Professor of Theatre, King's College LondonThis is a welcome addition to the fields of both performance studies and Deleuze studies, one that is sure to stimulate productive research and practice across many domains for years to come.Ronald Bogue, Professor of Comparative Literature, University of GeorgiaWas performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'?Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.Laura Cull is a PhD candidate in Drama at th

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
Edinburgh University Press
Año de publicación
2009
Idioma
Inglés
ISBN 10 
0748635041
ISBN 13 
9780748635047
Encuadernación
Tapa blanda
Número de páginas
288
Editor
Cull Laura
Contacto del fabricante
no disponible
Persona responsable
no disponible