The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe

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9780745656014: The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe

In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind.

This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

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About the Author:

Roger Chartier is professor of history at the Collège de France, Director of Studies at the École des hautes études en sciences sociales and Annenberg Professor of History at the University of Pennsylvania.

Review:

'In these essays on the linguistic, typographical, social and cultural contexts of works by Shakespeare and Cervantes (among others), Roger Chartier shows once again his remarkable gifts for close reading, original observations, and the judicious and fruitful use of sociocultural theory.'
Peter Burke, University of Cambridge

'These brilliant essays, by the world's foremost historian of the book, are an essential guide to the textual labyrinth in which we find ourselves, a perplexing maze in which manuscripts, printed books, and digital media vie for attention. By looking with singular learning and insight at early modern texts -- above all, works by Shakespeare and Cervantes -- Chartier enables us to understand not only the written traces that have been left by the past but also the traces that we will leave for the future.'
Stephen Greenblatt, Harvard University


"Chartier’s essays provide an impressive model for just such a rigorous and sophisticated investigation of the reading and writing habits of the past..."
Andrew G. Bonnell, University of Queensland

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Roger Chartier (Ecole des Hautes Etudes en Sciences Sociales, Paris)
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Descripción Polity Press, United Kingdom, 2013. Hardback. Estado de conservación: New. 1. Auflage. Language: English . Brand New Book. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author s or translator s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author s hand cannot be separated from the printers mind. This book is devoted to the process of publication of the works that framed their readers representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes Don Quixote or Shakespeare s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call literature . Nº de ref. de la librería AAH9780745656014

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Descripción Polity Press, United Kingdom, 2013. Hardback. Estado de conservación: New. 1. Auflage. Language: English . Brand New Book. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author s or translator s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author s hand cannot be separated from the printers mind. This book is devoted to the process of publication of the works that framed their readers representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes Don Quixote or Shakespeare s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call literature . Nº de ref. de la librería AAH9780745656014

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Descripción Polity Press, 2013. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería FW-9780745656014

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Descripción Polity Press. Hardback. Estado de conservación: new. BRAND NEW, The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, Roger Chartier, In Early Modern Europe the first readers of a book were not thosewho bought it. They were the scribes who copied the author sor translator s manuscript, the censors who licensed it, thepublisher who decided to put this title in his catalogue, the copyeditor who prepared the text for the press, divided it and addedpunctuation, the typesetters who composed the pages of the book,and the proof reader who corrected them. The author s handcannot be separated from the printers mind. This book is devoted to the process of publication of the worksthat framed their readers representations of the past or ofthe world. Linking cultural history, textual criticism andbibliographical studies, dealing with canonical works - likeCervantes Don Quixote or Shakespeare s plays -as well as lesser known texts, Roger Chartier identifies thefundamental discontinuities that transformed the circulation of thewritten word between the invention of printing and the definition,three centuries later, of what we call 'literature'. Nº de ref. de la librería B9780745656014

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Descripción Polity Press, United Kingdom, 2013. Hardback. Estado de conservación: New. 1. Auflage. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author s or translator s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author s hand cannot be separated from the printers mind. This book is devoted to the process of publication of the works that framed their readers representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes Don Quixote or Shakespeare s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call literature . Nº de ref. de la librería BZV9780745656014

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Descripción 2013. Hardback. Estado de conservación: NEW. 9780745656014 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0787302

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