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Libro 22 de 46: French Film Directors

Kate Ince

 
9780719086410: Five Directors: Auteurism from Assayas to Ozon (French Film Directors Series)
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ISBN 10: 0719086418 ISBN 13: 9780719086410
Editorial: Manchester University Press (P648), 2011

Sinopsis

Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term ’auteur’ by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and François Ozon, this book looks into how the meaning of ’auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.

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Acerca del autor

Kate Ince is Reader in French Film and Gender Studies at the University of Birmingham

De la contraportada

Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term 'auteur' by Andrew Sarris.

Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and François Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.

This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.

De la solapa interior

Auteurism the idea that a director of a film is its source of meaning and should retain creative control over the finished product has been one of film studies most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term 'auteur' by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne brothers, Michael Haneke and François Ozon, this book looks into how the meaning of auteur has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts.

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
Manchester University Press (P648)
Año de publicación
2011
Idioma
Inglés
ISBN 10 
0719086418
ISBN 13 
9780719086410
Encuadernación
Tapa blanda
Número de páginas
168
Contacto del fabricante
no disponible
Persona responsable
gpsr@libri.de
gpsr@libri.de

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