This collection of essays offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works.
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Richard Meek is Lecturer in English at the University of Hull
Jane Rickard is Lecturer in Seventeenth-Century English Literature at the University of Leeds
Richard Wilson is Professor of Renaissance Literature in the Department of English at the University of Lancaster
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary 'poet-playwright', concerned with his readers as well as his audiences. Shakespeare's Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare's relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves.
This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary poet-playwright , concerned with his readers as well as his audiences. Shakespeare s Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare s relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves.
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Paperback. Condición: New. This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary 'poet-playwright', concerned with his readers as well as his audiences. Shakespeare's Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare's relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves. Nº de ref. del artículo: LU-9780719085611
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Paperback. Condición: New. This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary 'poet-playwright', concerned with his readers as well as his audiences. Shakespeare's Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare's relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves. Nº de ref. del artículo: LU-9780719085611
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Paperback. Condición: new. Paperback. This collection of essays is part of a new phase in Shakespeare studies. The traditional view of Shakespeare is that he was a man of the theatre who showed no interest in the printing of his plays, producing works that are only fully realised in performance. This view has recently been challenged by critics arguing that Shakespeare was a literary 'poet-playwright', concerned with his readers as well as his audiences. Shakespeare's Book offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Bringing together an impressive group of international Shakespeare scholars, the volume explores both Shakespeare's relationship with actual printers, patrons, and readers, and the representation of writing, reading, and print within his works themselves. -- . This collection of essays offers a vital contribution to this critical debate, and examines its wider implications for how we conceive of Shakespeare and his works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780719085611
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