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Creative Camera: 30 Years of Writing (The Critical Image) - Tapa blanda

 
9780719058059: Creative Camera: 30 Years of Writing (The Critical Image)
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ISBN 10: 0719058058 ISBN 13: 9780719058059
Editorial: Manchester University Press, 2000

Sinopsis

Brink’s provocative biography shows that Spenser was not the would-be court poet whom Karl Marx’s described as ‘Elizabeth’s arse-kissing poet’. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell’s Catechism and Dean of St. Paul’s. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple.
Contextualising Spenser’s life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.

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"Sinopsis" puede pertenecer a otra edición de este libro.

Reseña del editor

Founded in 1968, "Creative Camera" has been a forum for influencing the shape and direction of modern photography. This anthology of 50 texts and their images includes moments from the debate. There are contributors such as Roland Barthes, John Berger, Victor Burgin, Jo Spence and Helen Chadwick. Through its 30 year history, "Creative Camera" has played its part in the changing fortunes of photography. In the 1980s opinions became polarized and the boundaries of "pure photography" were radically reformed. This was the era of "New Colour" and "Constructed Photography" in practice and the new art history, feminism and post-structuralism featured in critical approaches to photography. In the 1990s, photography has become a favoured tool among young artists. Debates about identity, the body, and the impact of digital technlogy are important features of the "post-theory years". In particular, the ability of the new technology to stimulate photographic realism has revitalized the discussions about the relationship between photography, society, the media and "the real".

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
Manchester University Press
Año de publicación
2000
Idioma
Inglés
ISBN 10 
0719058058
ISBN 13 
9780719058059
Encuadernación
Tapa blanda
Número de páginas
320
Editor
Brittain David
Contacto del fabricante
no disponible
Persona responsable
no disponible