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Sinopsis

This is the first full-length study of the films of François Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew Asibong’s passionate and critical analysis focuses on the extent to which Ozon’s seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects both his protagonists and his audiences.

A central question emerges: what is at stake, cinematically, ethically and politically, in Ozon’s alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary social relations.

Revealing Ozon as a highly adept ‘fan’ of a whole range of thought, literature and cinema, Asibong places the precocious French auteur in an intellectual yet highly accessible critical framework, allowing Ozon’s importance for a thoroughly postmodern filmgoing generation to be given the attention it deserves.

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Acerca del autor

Mark Aspinwall is Lecturer in Politics and European Studies at the University of Durham.

Gerald Schneider is Professor of Political Science at the Faculty of Public Policy and Management at the University of Konstanz, and Executive Editor of European Union Politics.

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