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After the Pre-Raphaelites: Art and Aestheticism in Victorian England (Critical Perspectives in Art History) - Tapa blanda

Prettejohn, Elizabeth

 
9780719054068: After the Pre-Raphaelites: Art and Aestheticism in Victorian England (Critical Perspectives in Art History)

Sinopsis

In this lucid and timely new book, Jeremy Pressman demonstrates that the default use of military force on both sides of the Arab-Israeli conflict has prevented its peaceful resolution.

Whether called deterrence or war, armed struggle or terrorism, the history of the conflict reveals that violence has been counterproductive. Drawing on historical evidence from the 1950s to the present, The sword is not enough pushes back against the dominant belief that military force leads to triumph while negotiations and concessions lead to defeat and further unwelcome challenges. Violence weakens the security situation, bolsters adversaries, and, especially in the case of Palestine, has sabotaged political aims.

Studiously impartial and accessibly written, this book shows us that diplomacy is the only answer.

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Reseña del editor

What happened in Victorian painting and sculpture after the pre-Raphaelites? Aestheticism has been called the next avant-garde movement but attention has centred on literary figures such as Algernon Charles Swinburn, Walter Peter and Oscar Wilde. This volume overviews parallel trends in the visual arts, including the work of Dante Gabriel Rossetti, James McNeil Whistler, Edward Burne-Jones, Simeon Solomon and Albert Moore among others. Victorian Aestheticism has often been treated as a fivolous elevation of art above the concerns of political and social life. It is reinterpreted here as a significant exploration of what it might mean to produce works of art in the modern world. The chapters address not only "art for art's sake" but linkages with the realms of science and morality. A major concern is the relationship between art and sexuality, from the experiments of the Rossetti circle in the 1860s to the male nude in late-Victorian sculpture. Both homosexual and heterosexual eroticism emerge as key issues in the artistic debates of the late-Victorian period.

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