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Cormack, Robin

 
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Sinopsis

The painted panels made for use in Byzantine and Orthodox churches and for prayers at home are perhaps the most effective and enduring form of religious art ever developed, and also perhaps one of the most mysterious. The peaceful, clear imagery found within them can be appreciated on both a religious and a secular level. This book will look at icons in the context of the history of Christianity and examine all aspects of the production and power of this distinctive art form. Based on an analysis of British Museum examples that have been carefully studied by restorers, Robin Cormack explains how icons were made, framed and displayed. He explores their subject matter, showing how scenes can be identified and how the iconography developed over the centuries and examining the role of portraiture. Icons is illustrated mainly with Cretan, Greek and Russian examples from the British Museum, which holds Britain’s foremost collection of icons.

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Acerca del autor

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.

De la contraportada

The painted panels made for use in Byzantine and Orthodox churches and for prayers at home are perhaps the most effective and enduring form of religious art ever developed, and also perhaps one of the most mysterious. The peaceful, clear imagery found within them can be appreciated on both a religious and a secular level. This book will look at icons in the context of the history of Christianity and examine all aspects of the production and power of this distinctive art form. Based on an analysis of British Museum examples that have been carefully studied by restorers, Robin Cormack explains how icons were made, framed and displayed. He explores their subject matter, showing how scenes can be identified and how the iconography developed over the centuries and examining the role of portraiture. Icons is illustrated mainly with Cretan, Greek and Russian examples from the British Museum, which holds Britain's foremost collection of icons.

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