Eric Gill (1882–1940) is one of the twentieth century’s most controversial artists. This illustrated introduction focuses on the clarity of Gill’s drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches.
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Ruth Cribb is an exhibition coordinator at the Victoria and Albert Museum and is writing her PhD thesis on Eric Gill's working practices at the University of Brighton.
Joe Cribb is a specialist in the monetary history of Asia. He worked as a curator of Asian currencies at the British Museum for 40 years before retiring in 2010 as the Keeper of Coins and Medals. In 2021 he was appointed Adjunct Professor of Numismatics in the School of History and Culture at Hebei Normal University. He has authored and edited books on Chinese, Indonesian and Central and South Asian currencies and history, and introductory books on coins and many articles on Asian coins and numismatic practice.
Eric Gill (1882-1940) is one of the twentieth centurys most controversial artists. This illustrated introduction focuses on the clarity of Gills drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishments favourite artists, with his patrons including the Catholic Church, the Lord Chancellors office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gills fascinating life and art.
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. Eric Gill (18821940) is one of the twentieth centurys most controversial artists. This illustrated introduction focuses on the clarity of Gills drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishments favourite artists, with his patrons including the Catholic Church, the Lord Chancellors office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gills fascinating life and art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR003613333
Cantidad disponible: 2 disponibles
Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 57682637-6
Cantidad disponible: 1 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. Eric Gill (1882-1940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment's favourite artists, with his patrons including the Catholic Church, the Lord Chancellor's office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill's fascinating life and art. Nº de ref. del artículo: LU-9780714118192
Cantidad disponible: Más de 20 disponibles
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. Eric Gill (1882-1940) is one of the twentieth century's most controversial artists. This illustrated introduction focuses on the clarity of Gill's drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Like all modernists of the early twentieth-century, he used stylised form, explicit sexuality and the influence of other cultures to position himself at the forefront of the avant-garde. An outsider and a radical, Gill nevertheless became one the establishment's favourite artists, with his patrons including the Catholic Church, the Lord Chancellor's office, the British Museum, the Victoria and Albert Museum, the Royal Mint, the London Underground, the BBC, the Post Office and the League of Nations. The authors illuminate here the quality, complexities and contradictions of Gill's fascinating life and art. Eric Gill (18821940) is one of the twentieth centurys most controversial artists. This illustrated introduction focuses on the clarity of Gills drawn and cut line. It explores his genius as a letter cutter, wood engraver, sculptor and typographer in the light of his refined finished drawings and preparatory sketches. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780714118192
Cantidad disponible: 1 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9780714118192
Cantidad disponible: 15 disponibles
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780714118192. Nº de ref. del artículo: 9387273
Cantidad disponible: 1 disponibles
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: 8004c8face22175d0720effd061b48a8
Cantidad disponible: 5 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. Nº de ref. del artículo: 3646425
Cantidad disponible: 3 disponibles
Librería: Eighth Day Books, LLC, Wichita, KS, Estados Unidos de America
Paper Back. Condición: New. Nº de ref. del artículo: 119873
Cantidad disponible: 2 disponibles
Librería: MW Books, New York, NY, Estados Unidos de America
First Edition. Near fine paperback copy with French flaps; edges very slightly dulled. Remains well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 112 pages : illustrations (some color) ; 19 cm. Notes; Includes bibliographical references (page 110) and index. Contents; The past -- Connections -- God -- Print -- The body -- The book -- It all goes together. Subjects; Gill, Eric (1882-1940) - Criticism and interpretation, Artists - Great Britain - 20th century, Graphic arts - Great Britain - 20th century. 3 Kg. Nº de ref. del artículo: 457224
Cantidad disponible: 1 disponibles