Sinopsis
Heaven's Gate did not merely fail; it sank a studio. Michael Cimino's epic Western became a generic term for disaster, for ego run rampant, for massive mis-calculation, mismanagement and extravagence. Here is a picture budgeted for $7.5 million. Here is a director whose previous film, The Deer Hunter, had won five Academy Awards, following up with a film which was almost universally panned. Less than a month after its second release, United Artists effectively ceased to exist. After Heaven's Gate movies were never made the same way again. Steven Bach had been head Head of Production at United Artists. Final Cut records his experience working on this film. It is a rare, definitive and sometimes breathtaking inside look at modern movie-making, at Hollywood and its people.
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Acerca del autor
At the time of filming Heaven's Gate Steven Bach was the senior vice-president and head of worldwide production for United Artists. He has been associated with such productions as Sleuth, Parallax View, The Taking of Pelham One-Two-Three and The French Lieutenants Woman. He is the author of Marlene Dietrich and divides his time between Los Angeles and Munich
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Final Cut - Dreams and Disaster in the Making of Heaven's Gate
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Trafalgar Square, 1996
ISBN 10: 0712662723
ISBN 13: 9780712662727
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Final Cut: Dreams and Disaster in the Making of "Heaven's Gate"
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Trafalgar Square, 1996
ISBN 10: 0712662723
ISBN 13: 9780712662727
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Final Cut: Dreams and Disaster in the Making of "Heaven's Gate"
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Final Cut : Dreams and Disaster in the Making of Heaven's Gate
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Pimlico, London, 1996
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Final Cut: Dreams and Disaster in the Making of "Heaven's Gate"
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Final Cut - Dreams and Disaster in the Making of Heaven's Gate
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