Forms: Whole, Rhythm, Hierarchy, Network - Tapa dura

Acerca del autor

Caroline Levine is David and Kathleen Ryan Professor of the Humanities at Cornell University. She is the author of The Serious Pleasures of Suspense and Provoking Democracy.

De la contraportada

"This is a big, brilliant, necessary book. As demonstrated in its climactic discussion ofThe Wire, it takes the defense of formalism way beyond the insistence that the continuity of forms across time is as historical as their differences are. With a confidence backed by superb erudition, a lively eye for structures of injustice, and a refreshingly practical commitment to questions of how lives might be rearranged to make them more endurable, Caroline Levine is uniquely qualified to issue this trumpet blast of a manifesto."--Bruce Robbins, Columbia University

"This is a truly extraordinary book, a book of a generation. If this were only a work of theory, it would already be one of the best scholarly books I've read. But it is also, more importantly, a model of method. Caroline Levine doesn't only prompt us to think; she shows us what to do. She has drawn the map that will lead us out of the dead end facing literary studies today--the dead end of wanting to talk about the literary in relation to the social but not knowing how."--Amanda Claybaugh, Harvard University

"This is a superlative work of literary theory--lucid, elegant, sophisticated. Caroline Levine clearly explains why formalist analysis is the heart of what literary scholarship does best, and she defends form as a category that provides the most rigorous route to the connections between art and social context. This is a brilliant advance on the New Formalism."--Nicholas Dames, Columbia University

De la solapa interior

"This is a big, brilliant, necessary book. As demonstrated in its climactic discussion ofThe Wire, it takes the defense of formalism way beyond the insistence that the continuity of forms across time is as historical as their differences are. With a confidence backed by superb erudition, a lively eye for structures of injustice, and a refreshingly practical commitment to questions of how lives might be rearranged to make them more endurable, Caroline Levine is uniquely qualified to issue this trumpet blast of a manifesto."--Bruce Robbins, Columbia University

"This is a truly extraordinary book, a book of a generation. If this were only a work of theory, it would already be one of the best scholarly books I ve read. But it is also, more importantly, a model of method. Caroline Levine doesn t only prompt us to think; she shows us what to do. She has drawn the map that will lead us out of the dead end facing literary studies today--the dead end of wanting to talk about the literary in relation to the social but not knowing how."--Amanda Claybaugh, Harvard University

"This is a superlative work of literary theory--lucid, elegant, sophisticated. Caroline Levine clearly explains why formalist analysis is the heart of what literary scholarship does best, and she defends form as a category that provides the most rigorous route to the connections between art and social context. This is a brilliant advance on the New Formalism."--Nicholas Dames, Columbia University