Willem de Kooning, one of the pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply sceptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-20th-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Usi
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Cornelia Butler is Curator at the Museum of Contemporary Art, Los Angeles, where she has organized numerous exhibitions, most recently "Flight Patterns" and "The Social Scene." Paul Schimmel is Chief Curator at the Museum of Contemporary Art, Los Angeles. His exhibitions include "The Interpretive Link," "The Figurative Fifties," and "Out of Actions." Richard Shiff is Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas, Austin. He is the author of Cezanne and the End of Impressionism. Anne Wagner is Professor of Art History at the University of California, Berkeley. She has published Jean-Baptiste Carpeaux and Three Artists (Three Women).
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Librería: Your Online Bookstore, Houston, TX, Estados Unidos de America
hardcover. Condición: Good. Nº de ref. del artículo: 069109618X-3-34797098
Cantidad disponible: 1 disponibles
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized. Nº de ref. del artículo: mon0000309431
Cantidad disponible: 1 disponibles
Librería: Hennessey + Ingalls, Los Angeles, CA, Estados Unidos de America
Hardcover. Condición: Used - Very Good. Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality. The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist'sfriend and critic, 'Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh.' EXHIBITION SCHEDULE The Museum of Contemporary Art, Los AngelesFebruary 10, 2002-May 5, 2002 The National Gallery of Art, Washington, D.C.September 29, 2002-January 5, 2003 The San Francisco Museum of Modern ArtJune 15 - September 8, 2002 Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector. Nº de ref. del artículo: 324502
Cantidad disponible: 1 disponibles
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Jacket spine is sunned and lightly stained, but legibility is not impacted. Back jacket cover is scuffed along hinge. Jacket edges are worn. Spine is tight. Cover edges are shelf worn. Cover corners are bumped. Inside edges are slightly tanned, but readability is not affected. Pages are unmarked. Nº de ref. del artículo: 2050781
Cantidad disponible: 1 disponibles
Librería: ANARTIST, New York, NY, Estados Unidos de America
Hardcover with dustjacket, 200 pages, very good condition; except light edgewear to dj at top edge and small abrasion to title on spine; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: WiDeLo50
Cantidad disponible: 1 disponibles
Librería: G.J. Askins Bookseller, New Lebanon, NY, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 200 page hardcover exhibition catalog to accompany " Willem de Kooning: Tracing the Figure." Four essay contributors, color plates of the drawings, exhibit checklist, and select bibliography. Exhibition was at The Museum of Contemporary Art, Los Angeles, CA, 10 February - 28 April, 2002. No flaws. Nº de ref. del artículo: 542167
Cantidad disponible: 1 disponibles
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Hard cover. Condición: Near fine. Estado de la sobrecubierta: Very good. Jacket is lightly worn along edges. Jacket is lightly sunned along spine and around bottom edge of back cover, not affecting legibility. Book itself is in excellent condition with no visible flaws. Binding is tight and inside is clean and unmarked. Nº de ref. del artículo: 2048941
Cantidad disponible: 1 disponibles
Librería: Bookplate, Chestertown, MD, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Previous owner name on title page, otherwise VG+/VG+. BP/Oversized art books. Nº de ref. del artículo: ABE-1748120288699
Cantidad disponible: 1 disponibles
Librería: Superbbooks, San Francisco, CA, Estados Unidos de America
Hardcover. Condición: Fine. 1st Edition. APPARENTLY NEVER READ. EXCELLENT PAGES And BINDING And DUST JACKET. As Shown. Published/printed by Princeton/MOCA, 2002. Approximately 9 1/2 X 13 1/2. 200 pages. Nº de ref. del artículo: 006266
Cantidad disponible: 1 disponibles
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Green cloth, pictorial DJ. 200 pp. 6 bw ills. and 124 color plates. Organized by Cornelia H. Butler and Paul Schimmel. Additional essays by Richard Shiff and Anne M. Wagner. Exhibition and catalogue that explores de Kooning's drawings of the female form between 1938 and 1955. A very nice catalogue. VG-/VG: Wear to the edges and corners of the dust jacket. Some ink marginalia around the illustrations, but only ever in the margins. Solid binding. Nº de ref. del artículo: 26161
Cantidad disponible: 1 disponibles