Between 1915 and 1923, Marcel Duchamp created one of the most mystifying art works of the early twentieth century: "The Bride Stripped Bare" by Her Bachelors, Even (also known as the Large Glass). The work is over nine feet tall, and on its glass surface Duchamp used such unorthodox materials as lead wire, lead foil, mirror silver, and dust, in addition to more conventional oil paint and varnish. Duchamp's declared subject is the relation between the sexes, but his protagonists are biomechanical creatures: a "Bride" in the upper panel hovers over a "Bachelor Apparatus" in the panel below, stimulating the "Bachelors" with "love gasoline" for an "electrical stripping." In preparation for the Large Glass, Duchamp wrote hundreds of notes, which he considered just as important as the work itself. He published 178 during his lifetime, but over 100 more notes relating to the Glass were discovered and published following his death.In this landmark book, Linda Henderson provides the first systematic study of the Large Glass in relation to the entire corpus of Duchamp's notes for the project. Since Duchamp declared his interest in creating a "Playful Physics," she focuses on the scientific and technological themes that pervade the notes and the imagery of the Large Glass. In doing so, Henderson provides an unprecedented history of science as popularly known at the turn of the century, centered on late Victorian physics. In addition to electromagnetic waves, including X-rays and the Hertzian waves of wireless telegraphy, the areas of science to which Duchamp responded so creatively ranged from chemistry and classical mechanics to thermodynamics, Brownian movement, radioactivity, and atomic theory.Restored to its context and amplified by the information in the posthumously published notes, the Large Glass appears far richer and more multifaceted and witty than had ever been suspected. Henderson also includes a close examination of Duchamp's literary and artistic models for creative invention based on science, including Alfred Jarry, Raymond Roussel, Frantisek Kupka, and Guillaume Apollinaire. The book will not only redefine scholarship on Duchamp and the Large Glass, but will be a crucial resource for historians of literature, science, and modernism.
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Linda Dalrymple Henderson is David Bruton, Jr., Centennial Professor in Art History and Distinguished Teaching Professor at the University of Texas, Austin.
"Linda Henderson's work stands out as a truly original contribution. . . . She has enlarged and illuminated our understanding of the most intelligent, elusive, and influential artist of the twentieth century."--Calvin Tomkins, author ofDuchamp: A Biography
"Henderson's book is the most thorough and dedicated analysis ever written about Duchamp's work. It represents the single most complete study of theLarge Glass and its scientific sources-one that is unlikely to be surpassed."--Francis Naumann, author ofMarcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction
"In tracing the emergence of Duchamp's artworks from their actual cultural/scientific context, Henderson has produced what is quite simply an indispensable book."--Marjorie Perloff, author ofWittgenstein's Ladder and Differentials: Poetry, Poetics, Pedagogy
"Among the readers of Linda Henderson's brilliant book, historians of science will be especially rewarded by her thorough research into an area hitherto insufficiently explored-how artists and other laypersons during Duchamp's time came to learn of, and draw upon, the stream of exciting results of early twentieth century science."--Gerald Holton, Harvard University
"Linda Henderson's work stands out as a truly original contribution. . . . She has enlarged and illuminated our understanding of the most intelligent, elusive, and influential artist of the twentieth century."--Calvin Tomkins, author ofDuchamp: A Biography
"Henderson's book is the most thorough and dedicated analysis ever written about Duchamp's work. It represents the single most complete study of theLarge Glass and its scientific sources-one that is unlikely to be surpassed."--Francis Naumann, author ofMarcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction
"In tracing the emergence of Duchamp's artworks from their actual cultural/scientific context, Henderson has produced what is quite simply an indispensable book."--Marjorie Perloff, author ofWittgenstein's Ladder and Differentials: Poetry, Poetics, Pedagogy
"Among the readers of Linda Henderson's brilliant book, historians of science will be especially rewarded by her thorough research into an area hitherto insufficiently explored-how artists and other laypersons during Duchamp's time came to learn of, and draw upon, the stream of exciting results of early twentieth century science."--Gerald Holton, Harvard University
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Destinos, gastos y plazos de envíoLibrería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Quarto. Hardcover. Black cloth boards. Illustrated DJ. 373 pages : illustrations (some color) ; 29 cm. Between 1912 and 1918, Marcel Duchamp made hundreds of notes in preparation for the execution of his major work, The Bride Stripped Bare by Her Bachelors, Even (1915-23), also known as the Large Glass. Considering these notes to be as important as the Glass itself, Duchamp published three sets during his lifetime - 178 notes in all. But since his death in 1968, more than 100 further notes about the work have been discovered and published. In this book, Linda Henderson provides the first systematic study of the Large Glass in relation to the entire corpus of Duchamp's notes for the project. Since Duchamp declared his interest in creating a "Playful Physics," she focuses on the scientific and technological themes that pervade the notes and the imagery of the Large Glass. In order to recover that content, Henderson provides an unprecedented history of science as popularly known at the turn of the century, centered on the late Victorian physics that dominated scientific practice and the public imagination. VG. Ex-lib with typical markings and wrapped jacket. Some soiling around edges of text block. Interior clean and unmarked. Nº de ref. del artículo: 203559
Cantidad disponible: 1 disponibles
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Light smudges on jacket, not covering text. Jacket spine is lightly sunned, but text is legible. Jacket is protected by a mylar cover. Spine is lightly bumped, but binding is tight. Inside is clean and unmarked. Nº de ref. del artículo: 2050938
Cantidad disponible: 1 disponibles
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Hard cover. Condición: Good. No jacket. Spine is cracked, shaken, and cocked, but also secure. Cover edges are worn. Upper back cover corner is lightly bumped. Paste down end paper is torn. Cover page has previous owner's signature. Inside has highlighting and pencil marks. Nº de ref. del artículo: 2049270
Cantidad disponible: 1 disponibles
Librería: Leabeck Books, Steventon, OXON, Reino Unido
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Princeton, New Jersey: Princeton University Press, 1998. First edition. xxiii[i]+374p. Over 190 black & white illustrations and 5 colour plates. Very slight spotting to page edges, otherwise a near fine copy in a similar dust jacket. Nº de ref. del artículo: LBTS1756
Cantidad disponible: 1 disponibles
Librería: art longwood books, Gloucester, MA, Estados Unidos de America
Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition/First Printing. cloth, hard cover in dust jacket. clean, no writing or text markings. no bumps, tears, chips, creases. strong, tight binding.; xxiii-374pp., 5 color plates, apprx. 200 b/w illustrations., duchamp studies. Size: 4to - over 9¾" - 12" tall. Nº de ref. del artículo: 22642
Cantidad disponible: 1 disponibles
Librería: art longwood books, Gloucester, MA, Estados Unidos de America
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition/First Printing. cloth, hard cover in dust jacket. clean, no writing or text markings. no bumps, tears, chips, creases. strong, tight binding. pristine, appears unused.; xxiii-374pp., 5 color plates, apprx. 200 b/w illustrations., duchamp studies. Size: 4to - over 9¾" - 12" tall. Nº de ref. del artículo: 23944
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Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
Hardcover. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Nº de ref. del artículo: Scanned0691055513
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