Intended by medieval builders to be the greatest of the High Gothic cathedrals, Saint-Pierre Beauvais has achieved notoriety among historians because it was indeed the tallest structure of its kind and because it collapsed. This book relates the extraordinary story of the cathedral which, despite the collapses of its 150-foot high choir in 1284 and its crossing tower in 1573, has managed to withstand a series of natural and political catastrophes that have ravaged the surrounding town throughout the past seven hundred years. By analyzing both archaeological evidence and historical documents, Stephen Murray examines separately the various phases of construction from the eleventh to the sixteenth century to determine the essential architectural quality of each phase and its relationship with the historical context.
The author discusses, for example, how the use of a five-aisled pyramidal basilica reveals the pretensions of the founding bishop, Miles of Nanteuil, whose exclusive allegiance to the Church aroused bitter opposition from the French king Louis IX and segments of the bourgeoisie. In employing a new understanding of the process of design and construction, Murray shows that the Beauvais cathedral was the product not of one single sublime vision but of the conflict arising from several distinct artistic perspectives that may have led to the creation of a basically flawed overall structure.
"Sinopsis" puede pertenecer a otra edición de este libro.
Intended by medieval builders to be the greatest of the High Gothic cathedrals, Saint-Pierre Beauvais has achieved notoriety among historians because it was indeed the tallest structure of its kind and because it collapsed. This book relates the extraordinary story of the cathedral which, despite the collapses of its 150-foot high choir in 1284 and its crossing tower in 1573, has managed to withstand a series of natural and political catastrophes that have ravaged the surrounding town throughout the past seven hundred years. By analyzing both archaeological evidence and historical documents, Stephen Murray examines separately the various phases of construction from the eleventh to the sixteenth century to determine the essential architectural quality of each phase and its relationship with the historical context.
The author discusses, for example, how the use of a five-aisled pyramidal basilica reveals the pretensions of the founding bishop, Miles of Nanteuil, whose exclusive allegiance to the Church aroused bitter opposition from the French king Louis IX and segments of the bourgeoisie. In employing a new understanding of the process of design and construction, Murray shows that the Beauvais cathedral was the product not of one single sublime vision but of the conflict arising from several distinct artistic perspectives that may have led to the creation of a basically flawed overall structure.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: thebookforest.com, San Rafael, CA, Estados Unidos de America
Condición: Very Good. Binding is unblemished, text block is clean, boards straight, without highlights or markings. Mild rubbing to Mylar covered dust wrapper edges. Very clean, nearly like new. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped. Nº de ref. del artículo: BAY_24_SH_040130
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de America
Condición: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Nº de ref. del artículo: 752266-6
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Librería: ThriftBooksVintage, Tukwila, WA, Estados Unidos de America
Hardcover. Condición: Very Good. No Jacket. Ex-Library copy with typical library marks and stamps. Dust jacket missing. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. Nº de ref. del artículo: 1770199220
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Librería: Capitol Hill Books, ABAA, Washington, DC, Estados Unidos de America
Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Princeton, NJ: Princeton University Press, 1989. First Edition. Quarto; 178pp. + black and illustrations bound to rear. Photo-illustrated dust jacket. Brown cloth boards stamped in black and gilt. Light rubbing to edges of dust jacket and boards; binding sound and pages unmarked; Near Fine. Nº de ref. del artículo: 45309
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:0691042365. Nº de ref. del artículo: 3724821
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0691042365. Nº de ref. del artículo: 4131918
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Librería: Isaiah Thomas Books & Prints, Inc., Cotuit, MA, Estados Unidos de America
Hardcover. Condición: Very Good. Very good copy in very good dj.; 11.1 X 9.0 X 1.2 inches; 276 pages. Nº de ref. del artículo: 0209T978475
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Librería: YESIBOOKSTORE, MIAMI, FL, Estados Unidos de America
hardcover. Condición: As New. Nº de ref. del artículo: 0691042365-VB
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Librería: Toscana Books, AUSTIN, TX, Estados Unidos de America
Hardcover. Condición: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Nº de ref. del artículo: Scanned0691042365
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