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Ulysses: Introduction by Craig Raine (Everyman's Library, 100) - Tapa dura

Joyce, J.

 
9780679455134: Ulysses: Introduction by Craig Raine (Everyman's Library, 100)

Sinopsis

James Joyce's meesterwerk Ulysses is de onovertroffen evocatie van één dag in Dublin aan het begin van de twintigste eeuw, 16 juni 1904. We volgen drie Dubliners, vreemdelingen in hun eigen land. Stephen Dedalus, de student die kunstenaar wil zijn; Leopold Bloom, een colporteur van advertenties, de reïncarnatie van Odysseus, de eeuwige zwerver. En Molly, Blooms vrouw, die in het slothoofdstuk een magistrale, ontroerende en scabreuze monoloog afsteekt.
Ulysses, misschien wel het beroemdste boek van de twintigste eeuw, is een roman niet een ongelooflijke rijkdom aan taalspelen, tekstregisters, klankeffecten, referenties, stijlen en dialecten. Een hoogtepunt van complexiteit en raffinement, maar ook een van de meeslependste en geestigste boeken uit de wereldliteratuur.

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Acerca del autor

James Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his life as a writer in exile in Paris, Trieste, Rome, and Zurich. On one trip back to Ireland, he fell in love with the now famous Nora Barnacle on June 16, the day he later chose as “Bloomsday” in his novel Ulysses. Nara was an uneducated Galway girl who became his lifelong companion an the mother of his two children. In debt and drinking heavily, Joyce lived for thirty-six years on the Continent, supporting himself first by teaching jobs, then trough the patronage of Mrs. Harold McCormick (Edith Rockerfeller) and the English feminist and editor Harriet Shaw Weaver. His writings include Chamber Music (1907), Dubliners (1914), A Portrait of the Artist as a Young Man (1916), Exiles (1918), Ulysses (1922), Pomes Penyeach (1927), Finnegan's Wake (1939), and an early draft of A Portrait of a Young Man, Stephan Hero (1944). Ulysses required seven years to complete, and his masterpiece, Finnegan's Wake,took seventeen. Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941.

De la contraportada

James Joyce's meesterwerk Ulysses is de onovertroffen evocatie van één dag in Dublin aan het begin van de twintigste eeuw, 16 juni 1904. We volgen drie Dubliners, vreemdelingen in hun eigen land. Stephen Dedalus, de student die kunstenaar wil zijn; Leopold Bloom, een colporteur van advertenties, de reïncarnatie van Odysseus, de eeuwige zwerver. En Molly, Blooms vrouw, die in het slothoofdstuk een magistrale, ontroerende en scabreuze monoloog afsteekt.
Ulysses, misschien wel het beroemdste boek van de twintigste eeuw, is een roman niet een ongelooflijke rijkdom aan taalspelen, tekstregisters, klankeffecten, referenties, stijlen en dialecten. Een hoogtepunt van complexiteit en raffinement, maar ook een van de meeslependste en geestigste boeken uit de wereldliteratuur.

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Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him by the mild morning air. He held the bowl aloft and intoned:

--Introibo ad altare Dei.

Halted, he peered down the dark winding stairs and called up coarsely:

--Come up, Kinch. Come up, you fearful jesuit.

Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding country and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.

Buck Milligan peeped an instant under the mirror and then covered the bowl smartly.

--Back to barracks, he said sternly.

He added in a preacher's tone:

--For this, O dearly beloved, is the genuine Christine: body and soul and blood and ouns. Slow music, please. Shut your eyes, gents. One moment. A little trouble about those white corpuscles. Silence, all. 

He peered sideways up and gave a long low whistle of call, then paused awhile in rapt attention, his even white teeth glistening here and there with gold points. Chrysostomos. Two strong shrill whistles answered through the calm. 

--Thanks, old chap, he cried briskly. That will do nicely. Switch off the current, will you?

He skipped off the gunrest and looked gravely at his watcher, gathering about his legs the loose folds of his gown. The plump shadowed face and sullen oval jowl recalled a prelate, patron of arts in the middle ages. A pleasant smile broke quietly over his lips.

--The mockery of it, he said gaily. Your absurd name, an ancient Greek.

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