(Guitar Method). Strum along with your favorite hits from the Beatles, the Rolling Stones, the Eagles, Eric Clapton, and more! The songs are presented in order of difficulty beginning with simple three- and four-note tunes and ending with songs that contain many chords, including seventh chords and barre chords. The accompanying audio features each song recorded by a full band, so you can hear how each song sounds and then play along when you're ready. 20 songs in all: All Apologies * Closer to Free * Gloria * Hurts So Good * Iris * Learning to Fly * Let Her Cry * No Woman No Cry * Push * Wonderful Tonight * and more. This book is intended as a supplement to the Hal Leonard Guitar Method , but can also be used with any beginning guitar method.
"Sinopsis" puede pertenecer a otra edición de este libro.
(Guitar Method). Strum along with your favorite hits from the Beatles, the Rolling Stones, the Eagles, Eric Clapton, and more! The songs are presented in order of difficulty beginning with simple three- and four-note tunes and ending with songs that contain many chords, including seventh chords and barre chords. The accompanying audio features each song recorded by a full band, so you can hear how each song sounds and then play along when you're ready. 20 songs in all: All Apologies * Closer to Free * Gloria * Hurts So Good * Iris * Learning to Fly * Let Her Cry * No Woman No Cry * Push * Wonderful Tonight * and more. This book is intended as a supplement to the Hal Leonard Guitar Method , but can also be used with any beginning guitar method.
The term "stompbox" includes a variety of electronic devices such as fuzzboxes, wah-wah pedals, talk boxes, reverb and tremolo units, and other add-ons that electric guitarists use to sculpt their sounds. In this colorful book, Guitar Player Technical Editor Art Thompson traces the development of these gadgets through in-depth interviews with the people who created them. Musicians, engineers, and entrepreneurs provide behind-the-scenes tales of the events and accidents that led to the innovative guitar effects of the '60s, '70s and '80s. For example, during a 1961 Nashville recording session for Marty Robbins' "Don't Worry", a mixing board channel began distorting, but the guitarist (Grady Martin) kept playing - creating Nashville's first recorded fuzz solo and an insatiable demand for this potent new effect.
"Sobre este título" puede pertenecer a otra edición de este libro.
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