Because RAW files remain virtually untouched by in-camera processing, working with them has given digital photographers greater flexibility and control during the editing process -- for those who are familiar enough with the format. Camera RAW, the plug in for Adobe Photoshop CS3, has emerged as one of the best and most familiar tools for editing RAW images, and the best way to master this workflow is with Photoshop CS3 RAW.
Award-winning author Mikkel Aaland explores the entire RAW process, from the practical reasons to shoot RAW, to managing the images with the new features of Bridge 2.0 navigation software, to processing your images with the new power of Adobe Camera RAW 4 and Photoshop CS3. The book's unique four-color, photograph-rich design helps you grasp the subject through visual instruction and clear explanation.Photoshop CS3 RAW focuses on Photoshop editing techniques, such as:
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Mikkel Aaland is an award-winning photographer and the author of nine books, including Photoshop CS2 RAW (O'Reilly 2006), Shooting Digital (2nd edition, Sybex, 2006), Photoshop Elements 4 Solutions (4th edition Sybex/Wiley, 2006), Photoshop for the Web, 2nd edition (O'Reilly, 1999), Still Images in Multimedia (Hayden, 1996), and Digital Photography (Random House, 1992). Since 2001 Aaland has been a regular guest on G4's Call For Help TV Program with Leo Laporte. In 2003 he was a guest columnist for newsweek.com. In 2004, Shooting Digital was named the best "Digital Photography" book of the year by the Designer's Bookshelf.Aaland's documentary photographs have been exhibited in major institutions around the world, including the Bibliotheque Nationale in Paris and the former Lenin Museum in Prague. In 1981 he received the National Art Directors award for photography. He has contributed both text and/or photography to Wired, Outside, Digital Creativity, American Photo, The Washington Post, and Newsweek, as well as several European publications.Aaland has been a pioneer in digital photography, an interest that dates back to a 1980 interview he conducted with Ansel Adams. When Aaland asked Adams what he would be pursuing if he were just starting out, Adams discussed at length his fascination with digital photographs of the planets. Aaland has pursued this new technology since its infancy. During the 1980s he reported on digital photography as west coast editor of the Swedish FOTO magazine, and wrote a column on the subject for American Photographer magazine. Aaland is one of the few orginal Adobe Lightroom's alpha and beta user, and he served as an unpaid advisor on the project for over a year.
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