One of Doris Lessing’s most important works, exploring politics, feminism, motherhood and the intellectual climate of the 1950s.
Anna Wulf is a young novelist with writer’s block. Divorced, with a young child, and disillusioned by unsatisfactory relationships, she feels her life is falling apart. In fear of madness, she records her experiences in four coloured notebooks. The black notebook addresses her problems as a writer; the red her political life; the yellow her relationships and emotions; and the blue becomes a diary of everyday events. But it is the fifth notebook – the Golden Notebook – which is the key to her recovery and renaissance.
Bold and illuminating, fusing sex, politics, madness and motherhood, ‘The Golden Notebook’ is at once a wry and perceptive portrait of the intellectual and moral climate of the 1950s – a society on the brink of feminism – and a powerful and revealing account of a woman searching for her own personal and political identity.
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Doris Lessing is one of the most important writers of the twentieth century and was awarded the Nobel Prize for Literature 2007. Her first novel, 'The Grass is Singing', was published in 1950. Among her other celebrated novels are 'The Golden Notebook', 'The Fifth Child' and 'Memoirs of a Survivor'. She has also published two volumes of her autobiography, 'Under my Skin' and 'Walking in the Shade'. Doris Lessing died on 17 November 2013 at the age of 94.
Anna Wulf is a young novelist with writer’s block. Divorced, with a young child, and disillusioned by unsatisfactory relationships, she feels her life is falling apart. In fear of madness, she records her experiences in four coloured notebooks. The black notebook addresses her problems as a writer; the red her political life; the yellow her relationships and emotions; and the blue becomes a diary of everyday events. But it is the fifth notebook – the Golden Notebook – which is the key to her recovery and renaissance.
Bold and illuminating, fusing sex, politics, madness and motherhood, The Golden Notebook is at once a wry and perceptive portrait of the intellectual and moral climate of the 1950s – a society on the brink of feminism – and a powerful and revealing account of a woman searching for her own personal and political identity.
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