Sinopsis
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
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Acerca de los autores
Eric Clarke is Heather Professor of Music at the University of Oxford.
Nicholas Cook is Professor of Music at Cambridge University.
Daniel Leech-Wilkinson is Professor of Music at King's College London.
John Rink is Professor of Music at Royal Holloway, University of London.
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The Cambridge Companion to Recorded Music (Cambridge Companions to Music)
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Cambridge University Press, 2009
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ISBN 13: 9780521865821
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The Cambridge Companion to Recorded Music (Hardcover)
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Cambridge University Press, Cambridge, 2009
ISBN 10: 0521865824
ISBN 13: 9780521865821
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Hardcover. Condición: new. Hardcover. From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture. The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780521865821
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The Cambridge Companion to Recorded Music
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Hardcover. Condición: new. Hardcover. From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture. The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780521865821
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Hardcover. Condición: new. Hardcover. From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture. The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780521865821
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The Cambridge Companion to Recorded Music
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Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording s impact on performing styles. Covering both classic. Nº de ref. del artículo: 446951280
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