By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German.
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Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.
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Librería: In Libris Veritas, Aptos, CA, Estados Unidos de America
Hardcover. Condición: Near Fine. Dust Jacket Included. 1st Edition. REHDING, Alexander. Hugo Riemann and the Birth of Modern Musical Thought. Cambridge: Cambridge University Press, 2003. First edition. 8vo. x, 218 pp. Illustrated with musical examples; glossary, bibliography, index. Original publisher's cloth, in original pictorial dust jacket. New Perspectives in Music History and Criticism, 11. Condition: Fine/Near Fine, appears as unread, with inventory number in blue ink on first free endpaper. In Near Fine dust jacket with an unusual localized printing anomaly to the upper orange band, resulting in an irregular area of deficient orange ink at the left; the surface coating and texture remain uniform, most likely indicating a production defect rather than subsequent fading or wear. Rehding's study reassesses the musical thought of Hugo Riemann (1849-1919), particularly harmonic dualism, by placing his theories in the wider intellectual context of late nineteenth- and early twentieth-century natural science, German nationalism, technology, aesthetics, and the emerging academic discipline of musicology. Nº de ref. del artículo: ABE-1789070438340
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Librería: Prior Books Ltd, Cheltenham, Reino Unido
Hardcover. Condición: New. First Edition. Firm and square hardback with sharp corners and strong joints, in new condition. Looks and feels unread. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price. Nº de ref. del artículo: 210761
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Librería: solisjbooks, Port Kembla, NSW, Australia
Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. Nº de ref. del artículo: 000069
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Librería: California Books, Miami, FL, Estados Unidos de America
Condición: New. Nº de ref. del artículo: I-9780521820738
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In. Nº de ref. del artículo: ria9780521820738_new
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. Nº de ref. del artículo: C9780521820738
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Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. pp. 230. Nº de ref. del artículo: 26541426
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Librería: CitiRetail, Stevenage, Reino Unido
Hardcover. Condición: new. Hardcover. Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (18491919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780521820738
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Librería: moluna, Greven, Alemania
Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. By situating Riemann s musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann s ideas not only made sense but advanced an unde. Nº de ref. del artículo: 446948800
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Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. Print on Demand pp. 230 Illus. Nº de ref. del artículo: 8387885
Cantidad disponible: 4 disponibles