Naples was by far the largest urban center on the Italian peninsula during the early modern period, and in the years covered by this book, from the early 1300s to the early 1600s, its inhabitants witnessed vast programs of building and decoration spurred by the cultural needs of royal, ecclesiastical, and baronial elites. Yet the city's many beautiful churches and palaces, stone sculptures, fresco cycles, and altarpieces have not received the sustained attention in Anglophone scholarship that has been lavished for generations on other major centers of artistic production, such as Florence, Rome, or Venice. This book surveys the visual arts in Renaissance Naples, offering diachronic overviews of urban design, ecclesiastical architecture, painting, tomb sculpture, and palaces, along with a substantial introduction to the complex social and political history of the city.
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Marcia B. Hall is Carnell Professor of Renaissance Art at Temple University. She is the series editor of Artistic Centers of the Italian Renaissance and editor of the first volume in the series, Rome (Cambridge University Press, 2005). She is the author of Renovation and Counter-Reformation; Color and Meaning; After Raphael; Michelangelo: The Frescoes of the Sistine Chapel; and The Sacred Image in the Age of Art. She is the editor of volumes including Color and Technique in Renaissance Painting; The Princeton Raphael Symposium (with John Shearman); Raphael's 'School of Athens' (Cambridge University Press, 1997); The Cambridge Companion to Raphael (Cambridge University Press, 2005); Michelangelo's 'Last Judgment' (Cambridge University Press, 2004); and, most recently, The Sensuous in the Counter-Reformation Church (with Tracy E. Cooper, Cambridge University Press, 2013).
Thomas Willette is Lecturer in the History of Art at the University of Michigan. He is the author of Massimo Stanzione (with Sebastian Schütze) and the editor of Art History in the Age of Bellori (with Janis Bell, Cambridge University Press, 2008). He has contributed essays on Neapolitan painting and art historiography to various periodicals and anthologies, including Ricerche sul'600 napoletano, Napoli nobilissima, New Vico Studies, the Journal of Modern Italian Studies, and the volume Re-Reading Leonardo: The Treatise on Painting across Europe. He was awarded an NEH fellowship for his current research on the reception history of the autobiography of Benvenuto Cellini.
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Librería: Second Story Books, ABAA, Rockville, MD, Estados Unidos de America
Hardcover. First Edition. Quarto, xxii, 385 pages. In Very Good condition with a Very Good condition dust jacket. Evergreen and sea-green spine with white lettering. Dust jacket has mild shelving wear, mild finger-staining, mild wear along front cover head and tail edges, and mild wear along spine head and tail. Rear board has mild dent along tail edge and mild wear along spine head and tail. Textblock has mild wear along the tail edge. Shelved in the Quarto/Folio area in Locked Annex. 1379730. FP New Rockville Stock. Nº de ref. del artículo: 1379730
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In English. Nº de ref. del artículo: ria9780521780001_new
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Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 385 pages. 12.50x9.00x1.00 inches. In Stock. This item is printed on demand. Nº de ref. del artículo: __0521780004
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Hardcover. Condición: new. Hardcover. Naples was by far the largest urban center on the Italian peninsula during the early modern period, and in the years covered by this book, from the early 1300s to the early 1600s, its inhabitants witnessed vast programs of building and decoration spurred by the cultural needs of royal, ecclesiastical, and baronial elites. Yet the city's many beautiful churches and palaces, stone sculptures, fresco cycles, and altarpieces have not received the sustained attention in Anglophone scholarship that has been lavished for generations on other major centers of artistic production, such as Florence, Rome, or Venice. This book surveys the visual arts in Renaissance Naples, offering diachronic overviews of urban design, ecclesiastical architecture, painting, tomb sculpture, and palaces, along with a substantial introduction to the complex social and political history of the city. This book examines works of visual art and architecture produced in the city of Naples between 1300 and 1600. The six overview chapters focus on urban design, ecclesiastical architecture, painting, tomb sculpture, and aristocratic palaces, prefaced by a substantial account of the city's turbulent social and political past. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780521780001
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Librería: CitiRetail, Stevenage, Reino Unido
Hardcover. Condición: new. Hardcover. Naples was by far the largest urban center on the Italian peninsula during the early modern period, and in the years covered by this book, from the early 1300s to the early 1600s, its inhabitants witnessed vast programs of building and decoration spurred by the cultural needs of royal, ecclesiastical, and baronial elites. Yet the city's many beautiful churches and palaces, stone sculptures, fresco cycles, and altarpieces have not received the sustained attention in Anglophone scholarship that has been lavished for generations on other major centers of artistic production, such as Florence, Rome, or Venice. This book surveys the visual arts in Renaissance Naples, offering diachronic overviews of urban design, ecclesiastical architecture, painting, tomb sculpture, and palaces, along with a substantial introduction to the complex social and political history of the city. This book examines works of visual art and architecture produced in the city of Naples between 1300 and 1600. The six overview chapters focus on urban design, ecclesiastical architecture, painting, tomb sculpture, and aristocratic palaces, prefaced by a substantial account of the city's turbulent social and political past. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780521780001
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Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 26792683
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Librería: moluna, Greven, Alemania
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisIntroduction: Naples in myth and history Ronald G. Musto 1. Giorgio Vasari s critique of art and patronage in Naples Thomas Willette 2. Urban design and public spaces Anna Giannetti 3. Ecclesiastical architecture and. Nº de ref. del artículo: 37117108
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Librería: Majestic Books, Hounslow, Reino Unido
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Librería: Biblios, Frankfurt am main, HESSE, Alemania
Condición: New. PRINT ON DEMAND. Nº de ref. del artículo: 18792673
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Librería: AHA-BUCH GmbH, Einbeck, Alemania
Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Naples was by far the largest urban center on the Italian peninsula during the early modern period, and in the years covered by this book, from the early 1300s to the early 1600s, its inhabitants witnessed vast programs of building and decoration spurred by the cultural needs of royal, ecclesiastical, and baronial elites. Yet the city's many beautiful churches and palaces, stone sculptures, fresco cycles, and altarpieces have not received the sustained attention in Anglophone scholarship that has been lavished for generations on other major centers of artistic production, such as Florence, Rome, or Venice. This book surveys the visual arts in Renaissance Naples, offering diachronic overviews of urban design, ecclesiastical architecture, painting, tomb sculpture, and palaces, along with a substantial introduction to the complex social and political history of the city. Nº de ref. del artículo: 9780521780001
Cantidad disponible: 1 disponibles