This work provides lucid, elegant and original analyses of poetic form and its workings in a wide range of poems.
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Michael D. Hurley combines a wide and interdisciplinary record of publishing in poetry and poetics with considerable experience as a teacher of close reading and practical criticism at Cambridge. His work is marked by an ambition to explore the relationship between what literature makes us feel and how it makes us think. His recent book on G. K. Chesterton was praised by one critic for being 'striking in the precision of its formal analysis and the elegance of its prose'.
Michael O'Neill is a well-known critic of poetry whose writings include monographs on Shelley (1989), Romanticism and the self-conscious poem (1997) and the twentieth- and twenty-first century literary legacies of Romantic poetry (2007). He edited the Cambridge History of English Poetry (2010) and a much-praised anthology of Romantic poetry with detailed comments on poetic form (2008). He has published two collections of poems and received a Cholmondeley Award for Poets in 1990. His work has been celebrated by many critics for its sensitivity to poetry and its ability to find an answerable language for poetic effects.
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Paperback. Condición: Very Good. Poetic Form: An Introduction (Cambridge Introductions to Literature) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Nº de ref. del artículo: 7719-9780521774994
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Paperback. Condición: Very Good. Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR007397185
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