This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
"Sinopsis" puede pertenecer a otra edición de este libro.
Tonio Hölscher is Professor of Classical Archaeology at the University of Heidelberg. His publications focus on public monuments, political iconography and urbanism in Ancient Greece and Rome and on general art and cultural theory. His is a member of various scientific institutions, including the Academia Europae, London.
Anthony Snodgrass is Emeritus Professor of Classical Archaeology in the University of Cambridge whose books include Homer and the Artists (Cambridge University Press, 1998).
Jas' Elsner is Humfry Payne Senior Research Fellow in Classical Art and Archaeology in the University of Oxford. His books include Art and the Roman Viewer (Cambridge University Press, 1995) and Imperial Rome and Christian Triumph (1998).
"Sobre este título" puede pertenecer a otra edición de este libro.
EUR 4,70 gastos de envío en Estados Unidos de America
Destinos, gastos y plazos de envíoEUR 3,41 gastos de envío en Estados Unidos de America
Destinos, gastos y plazos de envíoLibrería: Grey Matter Books, Hadley, MA, Estados Unidos de America
Hardcover. Condición: Good. Book would be in fine condition if not for the few pencil marks scattered about, bright white pages, glossy boards. Nº de ref. del artículo: 002927
Cantidad disponible: 1 disponibles
Librería: D2D Books, Berkshire, Reino Unido
Hardcover. Cambridge Univ Press, 2004. Brand new book. Full refund if not satisfied. 24 hour despatch. Nº de ref. del artículo: ahis78
Cantidad disponible: 1 disponibles
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Condición: New. Nº de ref. del artículo: ABLIING23Feb2416190011368
Cantidad disponible: Más de 20 disponibles
Librería: Grand Eagle Retail, Mason, OH, Estados Unidos de America
Hardcover. Condición: new. Hardcover. This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic system comparable to Roman literature and the language of images of other cultures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780521662000
Cantidad disponible: 1 disponibles
Librería: Ria Christie Collections, Uxbridge, Reino Unido
Condición: New. In English. Nº de ref. del artículo: ria9780521662000_new
Cantidad disponible: Más de 20 disponibles
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 480. Nº de ref. del artículo: C9780521662000
Cantidad disponible: Más de 20 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Hardcover. Condición: Brand New. 151 pages. 9.00x6.00x0.50 inches. In Stock. This item is printed on demand. Nº de ref. del artículo: __0521662001
Cantidad disponible: 1 disponibles
Librería: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condición: new. Hardcover. This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic system comparable to Roman literature and the language of images of other cultures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780521662000
Cantidad disponible: 1 disponibles
Librería: CitiRetail, Stevenage, Reino Unido
Hardcover. Condición: new. Hardcover. This book develops a new theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic system comparable to Roman literature and the language of images of other cultures. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780521662000
Cantidad disponible: 1 disponibles
Librería: moluna, Greven, Alemania
Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. It establishes a connection between artistic forms and content and expressions of ideology, arguing that Roman art appears to operate as a semantic. Nº de ref. del artículo: 446944204
Cantidad disponible: Más de 20 disponibles