Faulkner's Subject: A Cosmos No One Owns offers a reading of William Faulkner by viewing his masterpieces through the lens of current critical theory.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Faulkner has, for forty years, been canonized as a master of modern literature. Contemporary critical theory, however, calls into question the very terms of this claim--canon, mastery, literature. Faulkner's Subject: A Cosmos No One Owns seeks to offer a reading of William Faulkner for our time, and does so by rethinking his masterpieces through the lenses of current critical theory. The book attends equally to the power of his work and to the current theoretical issues that would call that power into question. Drawing on poststructuralist, psychoanalytic, ideological, and gender theory, Weinstein examines the harrowing process of "becoming oneself" at the heart of these novels. This self is always male, and it achieves subjective focus only through strategically mystifying or marginalizing women and blacks. The cosmos he called his own--the textual world he produced, of which he would be "sole owner and proprietor"--emerges as a cosmos no one owns, a verbal territory also generated (and biased) by the larger culture's discourses of gender and race. Like subjectivity itself, it is a cosmos no one owns.
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Librería: Virginia Martin, aka bookwitch, Concord, CA, Estados Unidos de America
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Octavo, hardcover, VG in good, lightly edgeworn blue pictorial dj. offers a reading of William Faulkner for our time, and does so by rethinking his masterpieces through the lenses of current critical theory. The book attends equally to the power of his work and to the current theoretical issues that would call that power into question. Drawing on poststructuralist, ideological, and gender theory, Weinstein examines the harrowing process of becoming oneself at the heart of these novels. This self is always male, and it achieves focus only through strategically mystifying or marginalizing women and blacks. The cosmos he called his own--the textual world he produced, of which he would be sole owner and proprietor--merges as a cosmos no one owns, a verbal territory also generated (and biased) by the larger culture's discourses of gender and race. Like personal identity itself, it is a cosmos no one owns. 181 pp. including index. Book. Nº de ref. del artículo: 58080
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