John Barrell's 1980 study shows why the poor interested painters and how painters could represent them for the rich.
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'This is a most original, searching and disquieting book. It will help us to look at old masters with new eyes: and also, since we are convicted by Barrell of certain nostalgic illustions about the agrarian past, it will help us to look at ourselves.' E. P. Thompson
'A brilliant reading of certain sets of pictorial conventions (signs) and of how and why they changed during a given historical period.' New Society
'Barrell has made a valuable contribution to our knowledge of the interplay between art and ideology in the eighteenth century.' Art History
'This is a book which is both enjoyable to read and informative.' Agricultural History Review
'A valuable and pertinent book which art-historians of all political persuasions ought to read.' Notes and Queries
'An important book.' Burlington Magazine
The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR005397502
Cantidad disponible: 1 disponibles
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
Hardcover. Condición: Good. General shelfwear to the cover and page edges. Nº de ref. del artículo: mon0003906611
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Librería: BoundlessBookstore, Wallingford, Reino Unido
Hardcover. Condición: Good. Light wear to boards. Content is clean with slight age tone. Good DJ with light wear. Nº de ref. del artículo: 9999-999105880356
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0521225094. Nº de ref. del artículo: 9880543
Cantidad disponible: 1 disponibles
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0521225094. Nº de ref. del artículo: 9880546
Cantidad disponible: 1 disponibles
Librería: Hugh Hardinge Books, Cambridge, Reino Unido
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Black boards and spine, the latter lettered in gilt. Surface laminate of jacket a little scored and a 2 cm tear near head of spine. Clean contents, toned arounf margins. Nº de ref. del artículo: X3367
Cantidad disponible: 1 disponibles