The Tragedies of Ennius were theatrical adaptations of Attic originals.
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The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists.
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Hardcover. Condición: Used-Very Good. Estado de la sobrecubierta: dj. First Edition. Cloth, dj. Slight sunning and creasing to jacket spine. Else clean copy. Nº de ref. del artículo: 1897279
Cantidad disponible: 1 disponibles
Librería: Ancient World Books, Toronto, ON, Canada
Hardcover. Condición: Good+. Estado de la sobrecubierta: Good+. Ex-library copy with usual stamps, call numbers and pocket. DJ laminated and taped down to boards.; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists. Nº de ref. del artículo: 40221
Cantidad disponible: 1 disponibles
Librería: Ancient World Books, Toronto, ON, Canada
Hardcover. Condición: Good+. Estado de la sobrecubierta: No Dust Jacket. Notes in ink and pencil by G. P. Goold (? ) to some pages. Light bumping to a couple of corners.; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists. Nº de ref. del artículo: 29507
Cantidad disponible: 1 disponibles
Librería: Ancient World Books, Toronto, ON, Canada
Hardcover. Condición: Good+. Estado de la sobrecubierta: No Dust Jacket. Ex-library copy with usual stamps, call numbers and pocket.; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists. Nº de ref. del artículo: 39896
Cantidad disponible: 1 disponibles
Librería: Ancient World Books, Toronto, ON, Canada
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Scholar's name to ffep (Robert Palmer). DJ is price-clipped. Minor chipping to DJ.; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists. Nº de ref. del artículo: 39740
Cantidad disponible: 1 disponibles