A rich, visual retelling of history, international in scope, this book charts the evolution of print into graphic design between 1700 and 1914. It is organized into six chapters, each beginning with a short introductory text before immersing the reader in a wealth of delightful and fully captioned examples of printed ephemera handbills, posters, advertisements, catalogues and labels that served the demands of the emerging consumer classes of the 18th, 19th and early 20th centuries and reveal the extraordinary skill, craft, design sense and intelligence of those who created them. A book of great appeal, based on comprehensive, original research, it keys into the new appreciation of craft and hand-rendered graphic design.With around 850 illustrations, many specially photographed from private collections, it will be of immense and lasting interest to graphic designers, design and social historians, as well as collectors of print and printed emphemera alike.
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David Jury is a prolific writer, award-winning graphic designer and head of the MA course Art, Design and the Book at the Colchester Institute. He has written a number of books on the subject of typography and was the editor of the award-winning journal TypoGraphic. His previous books include Typography Today.
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Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 15574248-6
Cantidad disponible: 1 disponibles
Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
Hardback. Condición: Good. Who first coined the phrase graphic design, a term dating from the 1920s, or first referred to themselves as a graphic designer are issues still argued to this day. What is certain is that the kinds of printed material a graphic designer could create were around long before the formulation of such a convenient, if sometimes troublesome, term. Here David Jury explores how the jobbing printer who produced handbills, posters, catalogues, advertisements, and labels in the eighteenth, nineteenth, and early twentieth centuries was the true progenitor of graphic design, rather than the noble presses of the Arts and Crafts movement. Based on original research and aided by a wealth of delightful and fully captioned examples that reveal the extraordinary skill, craft, design sense, and intelligence of those who created them, the book charts the evolution of print into graphic design. It will be of lasting interest to graphic designers, design and social historians, and collectors of print and printed ephemera alike. Nº de ref. del artículo: 00105911251
Cantidad disponible: 1 disponibles
Librería: World of Books Inc, Montgomery, IL, Estados Unidos de America
Hardback. Condición: Good. Who first coined the phrase graphic design, a term dating from the 1920s, or first referred to themselves as a graphic designer are issues still argued to this day. What is certain is that the kinds of printed material a graphic designer could create were around long before the formulation of such a convenient, if sometimes troublesome, term. Here David Jury explores how the jobbing printer who produced handbills, posters, catalogues, advertisements, and labels in the eighteenth, nineteenth, and early twentieth centuries was the true progenitor of graphic design, rather than the noble presses of the Arts and Crafts movement. Based on original research and aided by a wealth of delightful and fully captioned examples that reveal the extraordinary skill, craft, design sense, and intelligence of those who created them, the book charts the evolution of print into graphic design. It will be of lasting interest to graphic designers, design and social historians, and collectors of print and printed ephemera alike. Nº de ref. del artículo: CIN0500516464G
Cantidad disponible: 1 disponibles
Librería: Daedalus Books, Portland, OR, Estados Unidos de America
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Clean and solid. ; Color Plates; 4to; 312 pages. Nº de ref. del artículo: 338780
Cantidad disponible: 1 disponibles
Librería: Washburn Books, Pateley Bridge, Reino Unido
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: y Near Fine. y 1st Edition. London: Thames & Hudson Ltd, 2012. Book. Near Fine. Illustrated Green Boards. 1st Edition. 4to - over 9¾ - 12" tall. Visual history of the art of combining text and pictures for a range of printed material. 312pp with index and 779 illustrations, 560 in colour. Faint surface marking to boards, otherwise near fine opy with no inscriptions in near fine unclipped half-height dustwrapper. HEAVY BOOK, extra postage may be required for Air Mail shipping. Book. Nº de ref. del artículo: 016381
Cantidad disponible: 1 disponibles
Librería: Chiron Media, Wallingford, Reino Unido
hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. del artículo: 6666-GRD-9780500516461
Cantidad disponible: 2 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9780500516461
Cantidad disponible: 15 disponibles
Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Hardcover. Quarto. Softcover. Sage green boards with small illustrations. 3/4 striped green dj with white lettering. Pretty plum end papers. 312 pp. with 779 illustrations, 560 in color. Who first coined the phrase "graphic design," a term dating from the 1920s, or first referred to themselves as a "graphic designer" are issues still argued to this day. What is certain is that the kinds of printed material a graphic designer could create were around long before the formulation of such a convenient, if sometimes troublesome, term. Here David Jury explores how the "jobbing" printer who produced handbills, posters, catalogues, advertisements, and labels in the eighteenth, nineteenth, and early twentieth centuries was the true progenitor of graphic design, rather than the "noble presses" of the Arts and Crafts movement. Based on original research and aided by a wealth of delightful and fully captioned examples that reveal the extraordinary skill, craft, design sense, and intelligence of those who created them, the book charts the evolution of "print" into "graphic design." It will be of lasting interest to graphic designers, design and social historians, and collectors of print and printed ephemera alike. VG. bump to rear board near head of spine and bottom fore edge. Otherwise clean and unmarked. Nº de ref. del artículo: 161527
Cantidad disponible: 1 disponibles
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: 36175bb2488ae0495bc1be1366112086
Cantidad disponible: 5 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 16653111-n
Cantidad disponible: 1 disponibles