This visually driven compendium combines brief narrative descriptions and widely sourced images to tell the fascinating story of the creation of Hong Kong's new global museum of modern and contemporary visual culture
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Doryun Chong is Deputy Director, Curatorial, and Chief Curator at M+, Hong Kong. Prior to joining M+ in 2013, he worked at the Museum of Modern Art in New York and the Walker Art Center in Minneapolis, among others.
Suhanya Raffel joined the WKCDA in November 2016 as Executive Director, M+. She was appointed Museum Director, M+, in January 2019. Previously, Ms Raffel was Deputy Director of the Art Gallery of New South Wales, Sydney. Before that she worked at the Queensland Art Gallery / Gallery of Modern Art, Brisbane, where she held many senior curatorial positions, including Acting Director and Deputy Director of Curatorial. Ms Raffel is currently a trustee of the Geoffrey Bawa Trust and the Lunuganga Trust in Sri Lanka, and a member of the Board of the International Committee for Museums and Collections of Modern Art (CIMAM). She was made a Chevalier in the Ordre des Arts et des Lettres by the French Government in 2020
Yokoyama Ikko is lead curator of design and architecture at M+, Hong Kong’s new museum for visual culture at West Kowloon Cultural District. Before joining M+, she was based in Stockholm and served as head of exhibitions at Konstfack University College of Arts, Crafts and Design. As an independent curator and writer, Yokoyama worked on international exhibitions and projects, and in 2008, she cofounded Editions in Craft, a production platform that encourages collaborations among artists, designers, and craftspeople. Currently, she serves as an executive committee member of the ICAM International Confederation of Architectural Museums.
H. G. Masters is Deputy Editor and Deputy Publisher at ArtAsiaPacific.
Pauline J. Yao is Lead Curator, Visual Art, at M+. She has held curatorial positions at the Asian Art Museum of San Francisco and worked as an independent curator and writer in Beijing for six years, during which time she helped co-found the storefront art space Arrow Factory. Since joining M+ in 2012, Yao has played a leading role in building the visual art collection by overseeing and acquiring works from around Asia and beyond. Her writings on contemporary Asian art have appeared in numerous catalogues, online publications, and edited volumes.
The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong’s Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+’s new home is undoubtedly a milestone in the institution’s ongoing story, yet it also marks an important moment to reflect on its development to date.
The Making of M+ is an immersive visual encounter with the many stages of the museum’s evolution. H. G. Masters, the book’s guest editor, and Sulki & Min, its award-winning designers, present images and words relating to M+’s first three decades – starting with the reclamation of the land on which the M+ building stands. While the hundreds of images in the book document the programmes, collections, staff, audiences and architecture that have helped shape the museum, the texts have been carefully selected from key moments in the institution’s formation, encompassing official pronouncements, staff mantras, public reactions, and snippets from the local and international press. Offering a wide range of perspectives and voices, The Making of M+ is an innovative companion to the creation of a remarkable cultural institution – the first of its kind in Hong Kong and Asia.
With 360 illustrations in colour
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Paperback. Condición: new. Paperback. The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong's Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+'s new home is undoubtedly a milestone in the institution's ongoing story, yet it also marks an important moment to reflect on its development to date. The Making of M+ is an immersive visual encounter with the many stages of the museum's evolution. H. G. Masters, the book's guest editor, and Sulki & Min, its award-winning designers, present images and words relating to M+'s first three decades - starting with the reclamation of the land on which the M+ building stands. While the hundreds of images in the book document the programmes, collections, staff, audiences and architecture that have helped shape the museum, the texts have been carefully selected from key moments in the institution's formation, encompassing official pronouncements, staff mantras, public reactions, and snippets from the local and international press. Offering a wide range of perspectives and voices, The Making of M+ is an innovative companion to the creation of a remarkable cultural institution - the first of its kind in Hong Kong and Asia.With 360 illustrations in colour This visually driven compendium combines brief narrative descriptions and widely sourced images to tell the fascinating story of the creation of Hong Kong's new global museum of modern and contemporary visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780500024355
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