Structural Hearing: Tonal Coherence in Music (Two Volumes Bound As One)

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9780486222752: Structural Hearing: Tonal Coherence in Music (Two Volumes Bound As One)

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1.

Salzer, Felix
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuevos Paperback Cantidad: 4
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Descripción Paperback. Estado de conservación: New. Nº de ref. de la librería 1074735

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Felix Salzer
Editorial: Dover Publications Inc. (1999)
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descripción Dover Publications Inc., 1999. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780486222752

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By Felix Salzer
Editorial: Alfred Publishers
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descripción Alfred Publishers. Estado de conservación: New. Brand New. Nº de ref. de la librería 0486222756

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Salzer, Felix
Editorial: Dover Publications (1962)
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descripción Dover Publications, 1962. Paperback. Estado de conservación: New. Nº de ref. de la librería 0486222756

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Salzer, Felix
Editorial: Dover Publications
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descripción Dover Publications. PAPERBACK. Estado de conservación: New. 0486222756 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4785877

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6.

Felix Salzer
Editorial: Dover Publications Inc., United States (1999)
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuevos Paperback Cantidad: 1
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The Book Depository
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Descripción Dover Publications Inc., United States, 1999. Paperback. Estado de conservación: New. 216 x 138 mm. Language: English . Brand New Book. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker s work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenker s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.Dr. Salzer, in expanding and formulating anew many of Schenker s ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. Nº de ref. de la librería AAC9780486222752

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7.

Felix Salzer
Editorial: Dover Publications Inc., United States (1999)
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuevos Paperback Cantidad: 1
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The Book Depository US
(London, Reino Unido)
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[?]

Descripción Dover Publications Inc., United States, 1999. Paperback. Estado de conservación: New. 216 x 138 mm. Language: English . Brand New Book. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker s work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenker s great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.Dr. Salzer, in expanding and formulating anew many of Schenker s ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. Nº de ref. de la librería AAC9780486222752

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8.

Salzer, Felix
Editorial: Dover Publications
ISBN 10: 0486222756 ISBN 13: 9780486222752
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Descripción Dover Publications. PAPERBACK. Estado de conservación: New. 0486222756. Nº de ref. de la librería Z0486222756ZN

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9.

Felix Salzer
Editorial: Dover Publications
ISBN 10: 0486222756 ISBN 13: 9780486222752
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BuySomeBooks
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Descripción Dover Publications. Paperback. Estado de conservación: New. Paperback. 667 pages. Dimensions: 8.3in. x 5.2in. x 1.5in.Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenkers work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky. Heinrich Schenkers great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music. Dr. Salzer, in expanding and formulating anew many of Schenkers ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music. This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor. Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College. Leopold Mannes, President, The Mannes College of Music. Never likely to be improved upon for soundness and comprehensiveness. Ernest Newman, The Times. A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages. Norman Lloyd, Juilliard School of Music, in Notes. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780486222752

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10.

Felix Salzer
ISBN 10: 0486222756 ISBN 13: 9780486222752
Nuevos Paperback Cantidad: 1
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Grand Eagle Retail
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Descripción Paperback. Estado de conservación: New. 136mm x 32mm x 217mm. Paperback. Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker's work. Developing and extending the Schenker approach to inc.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 688 pages. 0.680. Nº de ref. de la librería 9780486222752

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