This text focuses on the theoretical foundations of film studies as a discipline. It combines reprints of essays by major film theorists with contemporary analyses of their work. They offer accounts of what cinema is, how people watch and respond to films, and what constitutes good film-making.
Focuses on the theoretical foundations of film studies as a discipline, juxtaposing classical essays by major film theorists with contemporary analyses of their work to analyse cinema spectatorship and film aesthetics.
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