Staging Masculinity: The Rhetoric of Performance in the Roman World (The Body, In Theory: Histories of Cultural Materialism)

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9780472111398: Staging Masculinity: The Rhetoric of Performance in the Roman World (The Body, In Theory: Histories of Cultural Materialism)

Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a "good man" and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire?
Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator's despised double, the dangers of homoerotic pleasure, and Cicero's De Oratore, as what good theory and practice ought to look like.
Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University.

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Gunderson, Erik
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Descripción The University of Michigan Press, United States, 2000. Hardback. Estado de conservación: New. New.. Language: English . Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire? Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like. Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Nº de ref. de la librería AAN9780472111398

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Descripción The University of Michigan Press, United States, 2000. Hardback. Estado de conservación: New. New. Language: English . Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire? Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like. Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Nº de ref. de la librería AAN9780472111398

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Descripción The University of Michigan Press, United States, 2000. Hardback. Estado de conservación: New. New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition and memory. The ancient performer was supposed to be a good man and his performance a manifestation of an authentic and authoritative manliness. But how can the orator be distinguished from a mere actor? And what is the proper role for the body, given that it is a potential object of desire? Erik Gunderson explores these and other questions in ancient rhetorical theory using a variety of theoretical approaches, drawing in particular on the works of Judith Butler, Michel Foucault, and Jacques Lacan. His study examines the status of rhetorical theory qua theory, the production of a specific version of body in the course of its theoretical description, oratory as a form of self-mastery, the actor as the orator s despised double, the dangers of homoerotic pleasure, and Cicero s De Oratore, as what good theory and practice ought to look like. Erik Gunderson is Assistant Professor of Greek and Latin, Ohio State University. Nº de ref. de la librería BTE9780472111398

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Descripción 2000. Hardcover. Estado de conservación: New. Hardcover. Performance was one of the five canonical branches of oratory in the classical period, but it presents special problems that distinguish it from concerns such as composition a.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 288 pages. 0.635. Nº de ref. de la librería 9780472111398

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