Serialized in the late 1950s, Shadows On The Hudson was translated from Yiddish and published posthumously as a complete novel in 1998, receiving widespread literary acclaim. From the Upper West Side to Miami's pastel resorts, Shadows On The Hudson traces the intertwined destiny of survivors in the aftermath of the Holocaust. Nobel Prize-winning author Isaac Bashevis Singer has created a vibrant, resonant, and provocative cast of characters in search of answers to life's greatest dilemmas, challenges, and ironies.
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Although Isaac Bashevis Singer emigrated from Poland to the United States in 1935, the circumscribed world of the Polish Jews remained at the heart of his imagination. Beginning with his first major work, Satan in Goray (1935), he used the life of the shtetl as raw material, transforming its folkways, religious practices, superstitions, and sexual habits into superior works of art. From time to time, however, Singer turned his eye upon New World Jews like himself, recording their rapid or reluctant assimilation into the American mainstream. One such book is Shadows on the Hudson.
This massive novel originally was serialized in the Yiddish-language Jewish Daily Forward in 1957. Now it has finally been translated into English--in a capable version by Joseph Sherman--and Singer fans should be very grateful. Center stage is occupied by Boris Makaver, a master builder equally devoted to I-beams and the Talmud, and Anna, his much-married daughter. Fanning out from this duo, however, is a small universe of refugees, all of them served up with Singer's customary brio. (Here's a comical snapshot of a shyster named Hertz Grein: "His nose had a Jewish hook, but then had second thoughts and straightened itself out. His lips were thin, and his blue eyes revealed a curious mixture of bashfulness, sharpness, and something else that was hard to define. Margolin used to say that he looked like a Yeshiva boy from Scandinavia.") As the subplots pile up in an unruly heap, the novel sometimes reveals its installment-plan origins. Still, Singer puts his large cast through some wonderful paces, and the endless talk--for these are characters who truly come alive through the medium of rapid, contentious, Yiddish-accented conversation--allows the author to speculate about destiny, identity, and freedom without slowing his story a whit. As Singer said more than once, "Of course I believe in free will. Do we have a choice?"About the Author:
Isaac Bashevis Singer (1904-91) was awarded the Nobel Prize in Literature in 1978.
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Descripción Plume, 1999. Paperback. Estado de conservación: New. (4th). Nº de ref. de la librería DADAX0452280036
Descripción Plume. PAPERBACK. Estado de conservación: New. 0452280036 TRACKING NUMBER INCLUDED New Unread Book May have some very minor shelf wear. Nº de ref. de la librería I-6-53
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97804522800381.0
Descripción Plume, 1999. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0452280036