Undead and Unfinished (Undead Series, 9) - Tapa dura

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Table of Contents

Title Page

Copyright Page

Dedication

Acknowledgements

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Epilogue

Titles by MaryJanice Davidson

UNDEAD AND UNWED
UNDEAD AND UNEMPLOYED
UNDEAD AND UNAPPRECIATED
UNDEAD AND UNRETURNABLE
UNDEAD AND UNPOPULAR
UNDEAD AND UNEASY
UNDEAD AND UNWORTHY
UNDEAD AND UNWELCOME
UNDEAD AND UNFINISHED

DERIK’S BANE

SLEEPING WITH THE FISHES
SWIMMING WITHOUT A NET
FISH OUT OF WATER

Titles by MaryJanice Davidson and Anthony Alongi

JENNIFER SCALES AND THE ANCIENT FURNACE
JENNIFER SCALES AND THE MESSENGER OF LIGHT
THE SILVER MOON ELM: A JENNIFER SCALES NOVEL
SERAPH OF SORROW: A JENNIFER SCALES NOVEL
RISE OF THE POISON MOON: A JENNIFER SCALES NOVEL

Anthologies

CRAVINGS

(with Laurell K. Hamilton, Rebecca York, Eileen Wilks)

BITE

(with Laurell K. Hamilton, Charlaine Harris, Angela Knight, Vickie Taylor)

KICK ASS

(with Maggie Shayne, Angela Knight, Jacey Ford)

MEN AT WORK

(with Janelle Denison, Nina Bangs)

DEAD AND LOVING IT

SURF’S UP

(with Janelle Denison, Nina Bangs)

MYSTERIA

(with P. C. Cast, Gena Showalter, Susan Grant)

OVER THE MOON

(with Angela Knight, Virginia Kantra, Sunny)

DEMON’S DELIGHT

(with Emma Holly, Vickie Taylor, Catherine Spangler)

DEAD OVER HEELS

MYSTERIA LANE (with P. C. Cast, Gena Showalter, Susan Grant)

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group
Penguin Group (USA) Inc.
375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

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Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R ORL, England

This book is an original publication of The Berkley Publishing Group.

This is a work of fiction. Names, characters, places, andincidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

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Library of Congress Cataloging-in-Publication Data

Davidson, MaryJanice.

p. cm.

ISBN: 9781101188545

1. Taylor, Betsy (Fictitious character)—Fiction. 2. Sinclair, Eric (Fictitious character)—Fiction. 3. Vampires—Fiction. 4. Hell—Fiction. 5. Thanksgiving Day—Fiction. I. Title. PS3604.A949U’.6—dc22

2010011125

For Sarah and Sherrilyn and Jen and Lisa
and Vicky and Marissa,
who helped me bring my bad self
back to my bad self,
and never once asked me for anything.

Acknowledgments

Okay, so, at the end of the day, when it’s time to write a book, it’s just me and the computer ... me, glaring balefully at same; computer refusing to make eye contact in the childish way it has.

(I should probably rewrite that: it should be the computer and me, right? Cuz I’m tryin’ to write good n’ stuff. Enh. I’ve already lost interest.)

But! For me to have the time to sit my big white butt down in the seat and get the work done? Tons of people help with that. And since I willfully ignore them most of the time, when I’m not figuring out how to frame them for felony assault, I’ll go on ahead and drop a few names.

First, many thanks to my valiant yet self-effacing assistant, Tracy Fritze. The poor woman no doubt assumed, well over a year ago, that it’d be a typical office job. Working for a writer was probably like working for an accountant: it sounded important but was ultimately mind-numbingly dull.

Sure, her workplace was my very own home, but how much different would it be from driving to an office three days a week?

Tracy likely assumed her duties would fall along the lines of word processing, setting up meetings, arranging interviews, proofing ARCs, booking speaking engagements, working with copyeditors, and occasionally running tornado drills.

Instead, the poor woman has been forced, in pretty rapid succession, to endure: being greeted by my pantsless son on more than one occasion, being interviewed by a German magazine (them: “How terrific is it to work forthe MaryJanice Davidson?” Tracy: “Um ... ”), fighting off our overly affectionate dogs, enduring the smells of McDonald’s chicken nuggets and pots of chocolate Malt O’Meal when she’s trying to eat like a grown-up (and set me an example of same), and ceaselessly trying to encourage me to sit down to make decisions (on PR products, on book signings, on answering reader questions, on turning in interview questions the day I agreed to do so, on why I shouldn’t wolf down a half dozen Reese’s Cups at 9:30 a.m.) like a grown-up.

Not to mention being locked out of my house when I’ve crawled back into bed with a migraine (see above: greeted by pantsless son: “Hi, Tracy. Mom’s sick. Can I have some Malt O’Meal?”), and holding her ground when I ruthlessly set the dogs upon her (I found my dogs are especially fond of her if I rub bacon grease into her shoes while she’s hard at work in the office).

Tracy is an assistant as the dictionary defines it: she contributes to the fulfillment of a need; she assumes some of my responsibilities. She rescues me from the minutiae that nearly everyone has to endure if they want to be a functioning member of society. She’s smart, she’s quick, she never has to be told anything twice, she’s discreet (nobody knew about my pantsless son or Malt O’Mealgate until I stuck it right in my acknowledgments page). Also, she smells terrific.

Thanks are also due, as always, to the awesomest of awesome husbands, Anthony Alongi (he also cowrites the Jennifer Scales series with me). He tirelessly reads, suggests, edits, mocks, enrages, inspires, and annoys. Without him, there’s absolutely nothing for me.

My folks and sister, for being completely unwavering in their support, one hundred percent of the time. They wouldn’t abandon that stance if I stuck a gun in their ear. Do not ask me how I know that.

The Magic Widows, who have endured me for years and pretend that I’m worth the trouble.

The best of agents, Ethan Ellenberg, who paid me the ultimate compliment of calling me low maintenance. That was a wonderful lie for him to tell!

The always terrific Cindy Hwang, who reads my book suggestions and synopses, edits my manuscripts, exudes copious enthusiasm for same, and doesn’t smack herself on the forehead when I can see it, or hear it. (Though I do occasionally hear odd background sounds when I’m on the phone with her.)

And to Leis Pederson, kick-ass assistant editor, who is repeatedly forced to track me down and corner me like a rat to get edits out of me, but does it with such style I feel wanted, not stalked.

Thanks also to the Yahoos, my fans on Facebook, the readers kind enough to write to me, and the readers who don’t go near Facebook or the Web, who don’t have computers but who write to me, care of my publisher, with real pens on real paper. (I feel bad I received one such snail mail and instantly assumed, as comedian Jim Gaffigan suggested, that someone had been kidnapped.)

I write for myself—I always have. I think if you write for other people, the end result is something of a cheat, for you and for them.

But you guys make the writing that much more fun, for which I am continually humbled and slavishly grateful.

—MaryJanice,
Winter 2009

Author’s Note

I’ve got nothing against Claes Oldenburg or his wife, Coosje van Bruggen. And I’ve got nothing against the Minneapolis Sculpture Garden.

But at the end of the day, it’s just a giant spoon.

A spoon!

The Story So Far

Betsy (“Please don’t call me Elizabeth”) Taylor was run over by a Pontiac Aztek almost three years ago. She woke up the queen of the vampires and in dazzling succession (but no real order), bit her friend Detective Nick Berry, moved from a Minnesota suburb to a mansion in St. Paul, solved various murders, attended the funerals of her father and stepmother, became her half brother’s guardian, still avoids the room housing the Book of the Dead (Book of the Dead, noun: the vampire bible written by an insane vampire, which causes madness if read too long in one sitting), cured her best friend’s cancer, visited her alcoholic grandfather (twice), solved a number of kidnappings, realized her husband/king, Eric Sinclair, could read her thoughts (she could always read his), found out the Fiends had been up to no good (Fiend, noun: a vampire given only animal [dead] blood, a vampire who quickly goes feral).

Also, roommate Antonia, a werewolf from Cape Cod, took a bullet in the brain for Betsy, saving her life. The stories about bullets not hurting vampires are not true; plug enough lead into brain matter and that particular denizen of the undead will never get up again. Garrett, Antonia’s lover, killed himself the instant he realized she was dead.

As if this wasn’t enough of a buzzkill, Betsy soon found herself summoned to Cape Cod, Massachusetts, where Antonia’s Pack leaders lived. Though they were indifferent to the caustic werewolf in life, now that Antonia was dead in service to a vampire, several thousand pissed-off werewolves had just a few questions.

While Betsy, Sinclair, BabyJon, and Jessica were on the Cape answering these questions, Marc, Laura, and Tina remained in Minnesota (Tina to help run things while her monarchs were away, Marc because he couldn’t get the vacation time, and Laura because she was quietly cracking up).

They hadn’t been gone long before Tina disappeared and Marc noticed that devil worshippers kept showing up in praise of Laura, the Antichrist.

In a muddled, misguided attempt to help (possibly brought on by the stress of his piss-poor love life ... an ER doc, Marc worked hours that would make a union-less sweatshop manager cringe), he suggested to Laura that she put her “minions” to work helping in soup kitchens and such.