Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become ‘naturalised’ in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels’ engagement with ‘Aesthetics of Absence’ through his own experience at the forefront of innovative music-theatre and performance making.
In this volume, Goebbels reflects on works created over a period of more than 20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.
As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship.
"Sinopsis" puede pertenecer a otra edición de este libro.
Heiner Goebbels is a professor at the Institut für Angewandte Theaterwissenschaft of the Justus-Liebig-University Gießen, President of the Hessische Theaterakademie, and Artistic Director of the Ruhrtriennale – International Festival of the Arts.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 112. Nº de ref. del artículo: 95262426
Cantidad disponible: 3 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 22157502-n
Cantidad disponible: 1 disponibles
Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. pp. 112. Nº de ref. del artículo: 2698183429
Cantidad disponible: 3 disponibles
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become 'naturalised' in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels' engagement with 'Aesthetics of Absence' through his own experience at the forefront of innovative music-theatre and performance making.In this volume, Goebbels reflects on works created over a period of more than20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship. 154 pp. Englisch. Nº de ref. del artículo: 9780415831048
Cantidad disponible: 2 disponibles
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. Nº de ref. del artículo: B9780415831048
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 22157502-n
Cantidad disponible: 10 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 296 pages. 10.00x7.25x0.25 inches. In Stock. Nº de ref. del artículo: zk0415831040
Cantidad disponible: 1 disponibles
Librería: Biblios, Frankfurt am main, HESSE, Alemania
Condición: New. pp. 112. Nº de ref. del artículo: 1898183439
Cantidad disponible: 3 disponibles
Librería: moluna, Greven, Alemania
Kartoniert / Broschiert. Condición: New. Nº de ref. del artículo: 594670374
Cantidad disponible: Más de 20 disponibles
Librería: AHA-BUCH GmbH, Einbeck, Alemania
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Aesthetics of Absence presents a significant challenge to the many embedded assumptions and hierarchical structures that have become 'naturalised' in western theatre production. This is the first English translation of a new collection of writings and lectures by Heiner Goebbels, the renowned German theatre director, composer and teacher. These writings map Goebbels' engagement with 'Aesthetics of Absence' through his own experience at the forefront of innovative music-theatre and performance making.In this volume, Goebbels reflects on works created over a period of more than20 years staged throughout the world; introduces some of his key artistic influences, including Robert Wilson and Jean-Luc Godard; discusses the work of his students and ex-students, the collective Rimini Protokoll; and sets out the case for a radical rethinking of theatre and performance education. He gives us a rare insight into the rehearsal process of critically acclaimed works such as Eraritjaritjaka and Stifters Dinge, explaining in meticulous detail the way he weaves an eclectic range of references from fine art, theatre, literature, politics, anthropology, contemporary and classical music, jazz and folk, into his multi-textured music-theatre compositions.As an artist who is prepared to share his research and demystify the processes through which his own works come into being, as a teacher with a coherent pedagogical strategy for educating the next generation of theatre-makers, in this volume, Goebbels brings together practice, research and scholarship. Nº de ref. del artículo: 9780415831048
Cantidad disponible: 2 disponibles