Sinopsis
This book debates questions of place and praxis. How are geographical, cultural and artistic identities created and sustained with/in different places? How have colonial pasts, and the ways they mark and are mapped in the present, affected the performances produced there? In Australia, for example, performance owes much to the colonial past and present: to a psychology of edges, of enforced comings and goings and to a history of repression and genocide. How are such aspects expressed in performance practices?
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Reseña del editor
This book debates questions of place and praxis. How are geographical, cultural and artistic identities created and sustained with/in different places? How have colonial pasts, and the ways they mark and are mapped in the present, affected the performances produced there? In Australia, for example, performance owes much to the colonial past and present: to a psychology of edges, of enforced comings and goings and to a history of repression and genocide. How are such aspects expressed in performance practices?
Reseña del editor
How does place affect performance praxis? How are geographical, cultural and artistic identities created and sustained within different places? This book includes contributions from practitioners and theorists for whom "place" informs praxis: in theatre, dance, live art, site-specific work, installation, performance photography.
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Performance Research: On Place: Volume 3 Issue 2 (Performance Research , Vol 3, No 2)
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Routledge, 1998
ISBN 10: 0415182026
ISBN 13: 9780415182027
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Performance Research: On Place: Volume 3 Issue 2 (Performance Research , Vol 3, No 2)
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Calificación del vendedor: 5 de 5 estrellas
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