Acting (Re)Considered is a challenging and extraordinarily eye-opening collection of seminal essays about intercultural theories of acting, training and the actor's body in performance. Acting (Re)Considered will be is an essential part of every theatre student's repertoire, whether they are studying the history, the theory, or the practice of acting.
Included are discussions on acting by or about most of the major figures who have shaped twentieth century performance, such as:
* Meyerhold
* Copeau
* Decroux
* Artaud
* Brecht
* Growtowski
* Barba
* Suzuki
* Fo
* Warrilow
* Rosenthal
* DaFoe
No other volume on acting is as wide-ranging, as comprehensive, or as international as this one. Acting (Re)Considered transforms the possibilities for teachers and students of acting.
"Sinopsis" puede pertenecer a otra edición de este libro.
Acting (Re)Considered is a challenging and extraordinarily eye-opening collection of seminal essays about intercultural theories of acting, training and the actor's body in performance. Acting (Re)Considered will be is an essential part of every theatre student's repertoire, whether they are studying the history, the theory, or the practice of acting.
Included are discussions on acting by or about most of the major figures who have shaped twentieth century performance, such as:
* Meyerhold
* Copeau
* Decroux
* Artaud
* Brecht
* Growtowski
* Barba
* Suzuki
* Fo
* Warrilow
* Rosenthal
* DaFoe
No other volume on acting is as wide-ranging, as comprehensive, or as international as this one. Acting (Re)Considered transforms the possibilities for teachers and students of acting.
Books about acting usually tend towards the predictable, the mainstream, the safely tried and tested. "Acting (Re)Considered" attempts to break that mould. It is a challenging collection of seminal essays about intercultural theories of acting, training and the actor's body in performance. "Acting (Re)Considered" aims to prove useful as an essential resource of every theatre student's repertoire, whether they are studying the history, the theory, or the practice of acting. Included are discussions on acting by or about most of the major figures who have shaped late 19th- and 20th-century performance, such as: Delsarte; Meyerhold; Copeau; Decroux; Artaud; Brecht; Growtowski; Barba; Suzuki; Fo; Rosenthal; and DaFoe. "Acting (Re)Considered " should transform the possibilities for teachers and students of acting.
"Sobre este título" puede pertenecer a otra edición de este libro.
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Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780415098588. Nº de ref. del artículo: 7068027
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Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780415098588. Nº de ref. del artículo: 9832720
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Librería: JuddSt.Pancras, London, Reino Unido
Hardcover. Condición: As New. Slight shelfwear to cover - otherwise as new. Nº de ref. del artículo: c212110
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Librería: Row By Row Bookshop, Sugar Grove, NC, Estados Unidos de America
Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Hardcover. An ex-library copy in original hard covers. The usual ex-libris markings, and brief underlining noted in two chapters. A sound reading/reference copy. No dust jacket, apparently as issued. Book. Nº de ref. del artículo: 059421
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