You'd be hard put to find a better script to work with than this translation by Michael Frayn . . . It sticks rigorously to the inner thrust of the play while giving it a fresh, crisp clarity that makes it not just accessible but compelling to watch. The underlying tragedy . . . is intact. It is made more moving, not less, by the way Frayn's ineffably light touch has caught too the comedy of Andrey and his three sisters.' GUARDIAN
'Frayn puts well the central statement of this most moving of dramas: it is about the irony of the hopes by which people live and the way their destiny mocks them. Chekhov shows how life is both nourished and poisoned by the act of hope itself' DAILY TELEGRAPH
Following their father's death, life for sisters Olga, Masha and Irina in a Russian provincial garrison town has become unbearably dull. They feel they have become culturally, romantically and intellectually starved. To these sisters, Moscow, where they once lived and in spite of its sad memories, has become a symbol of unfulfilled hope, promises and opportunity, and one which contrasts with the tedium of their own lives and circumstances. The sisters' main hope of moving to Moscow depends on their brother, Andrey, with his ambitions to work in academia in Moscow.
Set over three and a half years at the turn of the twentieth century, and premiered at the Moscow Art Theatre in 1901, Chekhov's play has become among the most iconic in modern theatre.
This translation is by Michael Frayn, one of today's most eminent British playwrights and translators of Russian drama.
Commentary and notes by Nick Worrall.
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Anton Chekhov (1860-1904), Russian physician, dramatist and author, is considered to be one of the greatest writers of short stories and modern drama. Born in Taganrog, a port town near the Black Sea, he attended medical school at Moscow University. He began writing to supplement his income, writing short humorous sketches of contemporary Russian life. A successful literary careered followed, before his premature death of TB at the age of 44. He is best-remembered for his four dramatic masterpieces: The Seagull (1896), Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904).
Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov’s last four plays, and adapted his first as Wild Honey. His screenplays include Clockwise, starring John Cleese, and among his eleven novels are The Tin Men, Towards the End of the Morning, Headlong, Spies, and Skios. Collections of articles include Collected Columns, Stage Directions, and Travels with a Typewriter. He has also published two philosophical works, Constructions and The Human Touch, and a memoir, My Father’s Fortune. His most recent publications are three collections of short entertainments, Matchbox Theatre, Pocket Playhouse, and Magic Mobile. He is married to the writer Claire Tomalin.
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Paperback. Condición: Very Good. Chekhov's widely performed classic study of provincial life explores the irony of hope and the inadequacy of consolation.Michael Frayn's hugely popular translation is an AQA recommended text. For this Student Edition Nick Worrall provides expert commentary and notes. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR001360794
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Condición: New. 2003. Paperback. The play tells the story of three sisters and their brother who live in a provincial Russian town. Michael Frayn has successfully recreated the naturalness of the original text in this translation and included are notes, commentary and questions for students. Translator(s): Frayn, Michael. Series: Student Editions. Num Pages: 208 pages. BIC Classification: DD; DSG. Category: (UU) Undergraduate. Dimension: 200 x 128 x 14. Weight in Grams: 170. . . . . . Nº de ref. del artículo: V9780413771407
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