The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance-from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes:
This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre.
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Kathy A. Perkins is Professor Emerita of the University of Illinois (Urbana-Champaign) and University of North Carolina at Chapel Hill. She is a professional lighting designer who has designed throughout the U.S. and internationally, and as an author has edited six anthologies focusing on African/African Diaspora women.
Sandra L. Richards is Professor Emerita in African American Studies and Theatre at Northwestern University. Specializing in African American, African, and African Diaspora drama, she has published articles on a range of playwrights and on tourism to slave sites in the Black Atlantic.
Renée Alexander Craft is an Associate Professor at the University of North Carolina at Chapel Hill with a joint appointment in the Department of Communication and Curriculum in Global Studies. She is a performance studies trained Black feminist writer, scholar, and educator.
Thomas F. DeFrantz is Professor of African and African American Studies and Theater Studies at Duke University. He directs SLIPPAGE:Performance | Culture | Technology, a research group that explores live processing in theatrical contexts.
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