Críticas
" A delightful analysis. . . . Adopting an interdisciplinary approach, . . . Rotman builds a viable thesis for the semiotics of zero via a thorough examination of Montaigne' s "Essays," Shakespeare' s "King Lear," the "Kabbalah," and Vermeer' s paintings." -- "Choice" "A delightful analysis. . . . Adopting an interdisciplinary approach, . . . Rotman builds a viable thesis for the semiotics of zero via a thorough examination of Montaigne's "Essays, " Shakespeare's "King Lear", the "Kabbalah", and Vermeer's paintings."--"Choice"
Contraportada
"A delightful analysis. . . . Adopting an interdisciplinary approach, . . . Rotman builds a viable thesis for the semiotics of zero via a thorough examination of Montaigne's Essays, Shakespeare's King Lear, the Kabbalah, and Vermeer's paintings."--Choice
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