Your future as a writer is in your hands. Whether you are a newcomer or an accomplished professional, a novelist, story writer, or a writer of nonfiction, you will find this book a wealth of immediately useful guidance not available anywhere else. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of useable solutions-- how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."
You will find one of the great unspoken secrets of craftsmanship in Chapter 5, called "Markers: The Key to Swift Characterization." In Chapter 7, Stein reveals for he first time in print the wonderful system for creating instant conflict developed in the Playwrights Group of the Actors Studio, of which he was a founder. In "Secrets of Good Dialogue," the premier teacher of dialogue gives you the instantly useable techniques that not only make verbal exchanges exciting but that move the story forward immediately. You won't need to struggle with flashbacks or background material after you've read Chapter 14, which shows you how to bring background into the foreground.
Writers of both fiction and nonfiction will relish the amphetamines for speeding up pace, and the many ways to liposuction flab, as well as how to tap originality and recognize what successful titles have in common. You'll discover literary values that enhance writing, providing depth and resonance. You'll bless the day you read Chapters 32 and 33 and discover why revising by starting at page one can be a serious mistake, and how to revise without growing cold on your manuscript.
In the pages of this book, nonfiction writers will find a passport to the new revolution in journalism and a guide to using the techniques of fiction to enhance nonfiction. Fresh, useful, informative, and fun to read and reread, Stein on Writing is a book you will mark up, dog-ear, and cherish.
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"The best reading experiences," says Sol Stein, "defy interruption." With Stein's assistance, you can grab your reader on page 1 and not let go until "The End." Stein--author of nine novels (including the bestselling The Magician) and editor to James Baldwin, W.H. Auden, and Lionel Trilling--offers "usable solutions" for any writing problem you may encounter. He is authoritative and commanding--neither cheerleader nor naysayer. Instead, he rails against mediocrity and demands that you expunge it from your work. Perhaps the concept of scrutinizing every modifier, every metaphor, every character trait sounds like drudgery. But with Stein's lively guidance, it is a pleasure. Stein recommends that you brew conflict in your prose by giving your characters different "scripts." He challenges you, in an exercise concerning voice, to write the sentence you want the world to remember you by. He uses an excerpt from E.L. Doctorow to demonstrate poorly written monologue and a series of Taster's Choice commercials as an example of dialogue that works. Stein's bottom line is that good writing must be suspenseful. Your job, says Stein, "is to give readers stress, strain, and pressure. The fact is that readers who hate those things in life love them in fiction." --Jane SteinbergAbout the Author:
For thirty-six years, Sol Stein edited writers as diverse as James Baldwin, Dylan Thomas, Jack Higgins, W. H. Auden, Budd Schulberg, Jacques Barzun, F. Lee Bailey, David Frost, and Lionel Trilling. Stein is himself the author of nine novels, including the million-copy best-seller The Magician, making best-seller lists as far away as Moscow. He is also a prize-winning playwright produced on Broadway, an anthologized poet, and the author of nonfiction books, screenplays, and TV dramas. Stein is the creator of the award-winning computer software WritePro®, as well as FirstAid for Writers® and FictionMaster. He has lectured on creative writing at Columbia, Iowa, UCLA, and the University of California at Irvine, which presented him with the Distinguished Instructor Award in 1993.
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Descripción St. Martin's Press, 1995. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0312136080
Descripción St. Martin's Press, 1995. Hardcover. Estado de conservación: New. Never used!. Nº de ref. de la librería P110312136080
Descripción St. Martin's Press. Hardcover. Estado de conservación: New. 0312136080 New Condition. Nº de ref. de la librería NEW7.0085442