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Sinopsis

Shortly after George Gershwin's premature death in 1937, Merle Armitage invited Gershwin's friends and associates to contribute memories and tributes for this volume, which was first published in 1938. In these 38 articles, a range of interests are covered, comprising a portrait of a musician who exerted a huge influence on his era. Here Ira Gershwin reminisces about his brother's childhood and career; Paul Whiteman traces the history of "Rhapsody in Blue"; DuBose Hayward and Rouben Mamoulian discuss the genesis of "Porgy and Bess"; J. Rosamond Johnson examines Gershwin's African-American influences; Arnold Schoenberg discusses Gershwin the musical innovator; Harold Arlen attests to Gershwin's kindness to his fellow composers; George Gershwin summarises his approach to modern music; Oscar Hammerstein II, Isamu Noguchi, Rudy Vallee, Jerome Kern, Irving Berlin, and many others contribute recollections, observations and thanks. This volume also includes 16 of Gershwin's own paintings, along with many other artworks and photographs. This book provides insights into Gershwin the man and the composer.

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Reseña del editor

Shortly after George Gershwin's premature death in 1937, Merle Armitage invited Gershwin's friends and associates to contribute memories and tributes for this volume, which was first published in 1938. In these 38 articles, a range of interests are covered, comprising a portrait of a musician who exerted a huge influence on his era.

Reseña del editor

Shortly after George Gershwin's premature death in 1937, Merle Armitage invited Gershwin's friends and associates to contribute memories and tributes for this volume, which was first published in 1938. In these 38 articles, a range of interests are covered, comprising a portrait of a musician who exerted a huge influence on his era. Here Ira Gershwin reminisces about his brother's childhood and career; Paul Whiteman traces the history of "Rhapsody in Blue"; DuBose Hayward and Rouben Mamoulian discuss the genesis of "Porgy and Bess"; J. Rosamond Johnson examines Gershwin's African-American influences; Arnold Schoenberg discusses Gershwin the musical innovator; Harold Arlen attests to Gershwin's kindness to his fellow composers; George Gershwin summarises his approach to modern music; Oscar Hammerstein II, Isamu Noguchi, Rudy Vallee, Jerome Kern, Irving Berlin, and many others contribute recollections, observations and thanks. This volume also includes 16 of Gershwin's own paintings, along with many other artworks and photographs. This book provides insights into Gershwin the man and the composer.

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