Drawing in Early Renaissance Italy: Revised Edition

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9780300079814: Drawing in Early Renaissance Italy: Revised Edition

During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century―Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo―in order to discuss the new types of drawing that evolved.

 

“Ames-Lewis’s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students.”―Keith Andrews, Times Literary Supplement

 

“An important statement of theory about the drawing’s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field.”―Godfrey Baker, The Connoisseur

 

“This pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art.”―Eve King, Art Book Review

 

 

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Francis Ames-Lewis is lecturer in the history of art at Birkbeck College, University of London.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Francis Ames-Lewis
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ISBN 10: 0300079818 ISBN 13: 9780300079814
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Descripción Yale University Press, 2000. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0300079818

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Descripción Yale University Press, 2000. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0300079818

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Descripción Yale University Press, United States, 2000. Paperback. Estado de conservación: New. 2nd Rev ed.. Language: English . Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book .makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Nº de ref. de la librería AAH9780300079814

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Descripción Yale University Press, United States, 2000. Paperback. Estado de conservación: New. 2nd Rev ed.. Language: English . Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book .makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Nº de ref. de la librería AAH9780300079814

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Descripción 2000. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TY-9780300079814

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Descripción Yale University Press. Paperback. Estado de conservación: new. BRAND NEW, Drawing in Early Renaissance Italy (Revised edition), Francis Ames-Lewis, During the 15th century, drawing evolved into an art form in its own right. This manual examines the work of major draughtsmen of the century - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo - in order to discuss the new types of drawing that evolved. Nº de ref. de la librería B9780300079814

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Descripción Yale University Press, United States, 2000. Paperback. Estado de conservación: New. 2nd Rev ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book .makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Nº de ref. de la librería BTE9780300079814

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Descripción Yale Univ Pr, 2000. Paperback. Estado de conservación: Brand New. 208 pages. 10.00x7.75x0.75 inches. In Stock. Nº de ref. de la librería __0300079818

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