In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding the following points of convergence: architecture's relation to property, politics, and economy; architecture's relation to propriety and the need to keep things "in line"; and architecture's relation to the proper name, human identity, object identity, and spatial location and demarcation. In this engaging discussion, Ingraham considers maps, architectural plans, the laws of geometry, systems of architectural knowledge, and mythologies of architectural origin in work by Le Corbusier, Vitruvius, Alberti, Tafuri, Derrida, Lévi-Strauss, Shakespeare, Lacan, Deleuze, Rilke, and Stendhal. Entering the current complex debates about the relation between theory and practice in architecture, the author also addresses themes in psychoanalytic criticism, poststructural theory, and feminist criticism. Her examination thus moves beyond architecture and its literal structures to the notion of epistemological structure that architecture as a discipline and practice upholds and promotes.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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Gebunden. Condición: New. In this suggestive inquiry into the operations of linearity in architectural theory and practice, the author investigates the line as both a conceptual and literal force in architecture. She approaches the subject from philosophical, theoretical, practical . Nº de ref. del artículo: 594503026
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Hardcover. Condición: new. Hardcover. In this suggestive inquiry into the operations of linearity in architectural theory and practice, Catherine Ingraham investigates the line as both a conceptual and literal force in architecture. She approaches her subject from philosophical, theoretical, practical, and historical points of view, finding the following points of convergence: architecture's relation to property, politics, and economy; architecture's relation to propriety and the need to keep things "in line"; and architecture's relation to the proper name, human identity, object identity, and spatial location and demarcation.In this engaging discussion, Ingraham considers maps, architectural plans, the laws of geometry, systems of architectural knowledge, and mythologies of architectural origin in work by Le Corbusier, Vitruvius, Alberti, Tafuri, Derrida, Levi-Strauss, Shakespeare, Lacan, Deleuze, Rilke, and Stendhal. Entering the current complex debates about the relation between theory and practice in architecture, the author also addresses themes in psychoanalytic criticism, poststructural theory, and feminist criticism. Her examination thus moves beyond architecture and its literal structures to the notion of epistemological structure that architecture as a discipline and practice upholds and promotes.Theoretical Perspectives in Architectural History and Criticism SeriesMark Rakatansky, Editor In this suggestive inquiry into the operations of linearity in architectural theory and practice, the author investigates the line as both a conceptual and literal force in architecture. She approaches the subject from philosophical, theoretical, practical and historical points of view. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780300071191
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