This study of creativeness, sex and gender demonstrates the relationship of the intellectual to the personal and sexual, not only in the creative arts but in science and technology too. Typically male habits of thought are traced to a developmental crisis experienced by small boys - the male 'wound'. This wound leads to a splitting of imaginative preoccupation, inclining men to see people as though they were things, and things as though they were people. The authors show this pattern to have highly significant costs and benefits. It enables men to invest the world of machines and of abstract ideas with intense emotional significance, but it also renders them vulnerable both to personal insensitivity and misogyny, and to the grosser forms of sexual perversion. In the creative arts, this split can be healed. Even here, though, the costs are high, for the artist and for those who inspire him, as examples from the worlds of photography, poetry and painting reveal. The core of the book's argument lies in the interweaving of the public and the private, neatly echoing the partnership of the authors themselves. Married twenty-five years ago, they have worked together both in research and in the visual arts ever since. They furnish their story with illustrations, ranging from the famous psychologist B.F.Skinner who brought up his baby daughter in a box, to the writer Thomas Hardy, who although not on speaking terms with his wife Emma, addressed to her, after her death, some of the most eloquent love poetry in the language.
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This study of creativeness, sex and gender demonstrates the relationship of the intellectual to the personal and sexual, not only in the creative arts but in science and technology too. Typically male habits of thought are traced to a developmental crisis experienced by small boys - the male 'wound'. This wound leads to a splitting of imaginative preoccupation, inclining men to see people as though they were things, and things as though they were people. The authors show this pattern to have highly significant costs and benefits. It enables men to invest the world of machines and of abstract ideas with intense emotional significance, but it also renders them vulnerable both to personal insensitivity and misogyny, and to the grosser forms of sexual perversion. In the creative arts, this split can be healed. Even here, though, the costs are high, for the artist and for those who inspire him, as examples from the worlds of photography, poetry and painting reveal. The core of the book's argument lies in the interweaving of the public and the private, neatly echoing the partnership of the authors themselves. Married twenty-five years ago, they have worked together both in research and in the visual arts ever since. They furnish their story with illustrations, ranging from the famous psychologist B.F.Skinner who brought up his baby daughter in a box, to the writer Thomas Hardy, who although not on speaking terms with his wife Emma, addressed to her, after her death, some of the most eloquent love poetry in the language.
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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Hardcover. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0300049978I5N10
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Librería: HPB-Emerald, Dallas, TX, Estados Unidos de America
hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Nº de ref. del artículo: S_382712738
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. Nº de ref. del artículo: M0300049978Z3
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Librería: Bingo Used Books, Vancouver, WA, Estados Unidos de America
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Hardback in near fine condition with near fine condition dust jacket. Dust jacket is in mylar sleeve. Nº de ref. del artículo: 90986
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Hardback. Condición: Fine. Nº de ref. del artículo: GOR014814608
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Librería: medimops, Berlin, Alemania
Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Nº de ref. del artículo: M00300049978-G
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Librería: M. C. Wilson, Perth, WA, Australia
Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first impression 1991 fine hardback in a near fine dust wrapper, small closed tear. Protected by clear removable archival covering. No inscription. 219 pages with index. Line drawings. Nº de ref. del artículo: 0016979
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Librería: SAVERY BOOKS, Brighton, East Sussex, Reino Unido
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Bernadine Jacot Ilustrador. 1st Edition. HARDBACK IN JACKET. 24x16cm. xii+219 pages with index of names. 10 black & white illustrations. Clean & tight. Flat pages. No inscriptions. Jacket has a little edge wear. Jacket is now under clear removable covers. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner, securely boxed in cardboard. ref h504. Nº de ref. del artículo: 047730
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Librería: GoldBooks, Denver, CO, Estados Unidos de America
Condición: new. Nº de ref. del artículo: 17X52_91_0300049978
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