A transpacific tour of nuclear humanitiesFrom uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Sustained exposure to radiation from nuclear weapons and waste affects many communities from Japan to Oceania to the US West. While antinuclear activism often takes political and legal forms, artistic responses to nuclear regimes also prompt social action and resistance.
Resisting the Nuclear is an interdisciplinary edited collection featuring historians, anthropologists, artists, and activists who explore the multifaceted forms of resistance to nuclear regimes. Through a combination of interviews, scholarly essays, and discussions of contemporary art, contributors recenter the victims of nuclear technologies and demonstrate how political and artistic expression can respond to nuclear threats and effect change.
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Elyssa Faison is associate professor of history at the University of Oklahoma. She is the author of Managing Women: Disciplining Labor in Modern Japan (UC Press, 2007) and the coeditor of Gender and Labour in Korea and Japan: Sexing Class (Routledge, 2009).
Alison Fields is Mary Lou Milner Carver Professor of Art of the American West at University of Oklahoma. She is author of Discordant Memories: Atomic Age Narratives and Visual Culture (Oklahoma, 2020) as well as coauthor of Picher, Oklahoma: Catastrophe, Memory, and Trauma (Oklahoma, 2016) and author of Chickasaw Women Artisans (Chickasaw Press, 2016).
Laura Kina is professor of art, critical ethnic studies, and global Asian studies at DePaul University. She is the coeditor of Queering Contemporary Asian American Art (University of Washington Press, 2017) and War Baby / Love Child: Mixed Race Asian American Art (University of Washington Press, 2013).
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Paperback. Condición: New. A transpacific tour of nuclear humanitiesFrom uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Sustained exposure to radiation from nuclear weapons and waste affects many communities from Japan to Oceania to the US West. While antinuclear activism often takes political and legal forms, artistic responses to nuclear regimes also prompt social action and resistance.Resisting the Nuclear is an interdisciplinary edited collection featuring historians, anthropologists, artists, and activists who explore the multifaceted forms of resistance to nuclear regimes. Through a combination of interviews, scholarly essays, and discussions of contemporary art, contributors recenter the victims of nuclear technologies and demonstrate how political and artistic expression can respond to nuclear threats and effect change. Nº de ref. del artículo: LU-9780295752341
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Paperback. Condición: new. Paperback. From uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Sustained exposure to radiation from nuclear weapons and waste affects many communities from Japan to Oceania to the US West. While antinuclear activism often takes political and legal forms, artistic responses to nuclear regimes also prompt social action and resistance.Resisting the Nuclear is an interdisciplinary edited collection featuring historians, anthropologists, artists, and activists who explore the multifaceted forms of resistance to nuclear regimes. Through a combination of interviews, scholarly essays, and discussions of contemporary art, contributors recenter the victims of nuclear technologies and demonstrate how political and artistic expression can respond to nuclear threats and effect change. From uranium mines on the Navajo Nation to craters caused by nuclear testing on the Bikini and Enewetak Atolls, the production and deployment of nuclear weapon technologies have disproportionately harmed Indigenous lands. Contributors recenter the victims of nuclear technologies and demonstrate how political and artistic expression can respond to nuclear threats and effect change. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780295752341
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