Emil Staiger (1908-1987), a native of Switzerland, was one of the foremost scholars in the field of literary studies. Grundbegriffe der Poetik is a monument in the history of literary criticism that has been unavailable to the English reader until now. Of Staiger's works, Poetics is probably the most radical, the most disruptive, for it constructs a revolutionary new poetics and erects it alongside the old traditional Aristotelian one. Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment-- a sort of literary sine qua non. In its stead, Staiger proposes to explain literary genres on the basis of fundamental patterns of literary creativity. He selects his examples from various European literary traditions, thus engaging the scholar as well as the comparatist in national literatures. By choosing an inductive method, he speaks to all concerned with literary values.In her introduction, Luanne Frank establishes how the Poetics mediates between those modes of criticism current in the 1940s and those of the 1980s, as well as between those held by European scholars and those embraced by American scholars. Frank places Staiger's work within the history of genre criticism from an American perspective, defines its goals and merits, and formulates a critical response long overdue in Europe and most welcome in the United States.
"Sinopsis" puede pertenecer a otra edición de este libro.
Janette C. Hudson is a lecturer in the German department at the University of Virginia.
Luanne Frank is Associate Professor of English at the University of Texas, Arlington.
Marianne Burkhard has published widely in the fields of German and Swiss literature and women in literature.
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 5553067
Cantidad disponible: 2 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: FW-9780271027807
Cantidad disponible: 1 disponibles
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
Condición: New. Nº de ref. del artículo: 5553067-n
Cantidad disponible: 2 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. Emil Staiger (1908-1987), a native of Switzerland, was one of the foremost scholars in the field of literary studies. Grundbegriffe der Poetik is a monument in the history of literary criticism that has been unavailable to the English reader until now. Of Staiger's works, Poetics is probably the most radical, the most disruptive, for it constructs a revolutionary new poetics and erects it alongside the old traditional Aristotelian one. Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment-a sort of literary sine qua non. In its stead, Staiger proposes to explain literary genres on the basis of fundamental patterns of literary creativity. He selects his examples from various European literary traditions, thus engaging the scholar as well as the comparatist in national literatures. By choosing an inductive method, he speaks to all concerned with literary values.In her introduction, Luanne Frank establishes how the Poetics mediates between those modes of criticism current in the 1940s and those of the 1980s, as well as between those held by European scholars and those embraced by American scholars. Frank places Staiger's work within the history of genre criticism from an American perspective, defines its goals and merits, and formulates a critical response long overdue in Europe and most welcome in the United States. Nº de ref. del artículo: LU-9780271027807
Cantidad disponible: 1 disponibles
Librería: Lucky's Textbooks, Dallas, TX, Estados Unidos de America
Condición: New. Nº de ref. del artículo: ABLIING23Feb2215580086972
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Paperback. Condición: New. Emil Staiger (1908-1987), a native of Switzerland, was one of the foremost scholars in the field of literary studies. Grundbegriffe der Poetik is a monument in the history of literary criticism that has been unavailable to the English reader until now. Of Staiger's works, Poetics is probably the most radical, the most disruptive, for it constructs a revolutionary new poetics and erects it alongside the old traditional Aristotelian one. Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment-a sort of literary sine qua non. In its stead, Staiger proposes to explain literary genres on the basis of fundamental patterns of literary creativity. He selects his examples from various European literary traditions, thus engaging the scholar as well as the comparatist in national literatures. By choosing an inductive method, he speaks to all concerned with literary values.In her introduction, Luanne Frank establishes how the Poetics mediates between those modes of criticism current in the 1940s and those of the 1980s, as well as between those held by European scholars and those embraced by American scholars. Frank places Staiger's work within the history of genre criticism from an American perspective, defines its goals and merits, and formulates a critical response long overdue in Europe and most welcome in the United States. Nº de ref. del artículo: LU-9780271027807
Cantidad disponible: 1 disponibles
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. Emil Staiger (1908-1987), a native of Switzerland, was one of the foremost scholars in the field of literary studies. Grundbegriffe der Poetik is a monument in the history of literary criticism that has been unavailable to the English reader until now. Of Staiger's works, Poetics is probably the most radical, the most disruptive, for it constructs a revolutionary new poetics and erects it alongside the old traditional Aristotelian one. Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment-- a sort of literary sine qua non. In its stead, Staiger proposes to explain literary genres on the basis of fundamental patterns of literary creativity. He selects his examples from various European literary traditions, thus engaging the scholar as well as the comparatist in national literatures. By choosing an inductive method, he speaks to all concerned with literary values.In her introduction, Luanne Frank establishes how the Poetics mediates between those modes of criticism current in the 1940s and those of the 1980s, as well as between those held by European scholars and those embraced by American scholars.Frank places Staiger's work within the history of genre criticism from an American perspective, defines its goals and merits, and formulates a critical response long overdue in Europe and most welcome in the United States. Emil Staiger (1908-1987), a native of Switzerland, was one of the foremost scholars in the field of literary studies. Grundbegriffe der Poetik is a monument in the history of literary criticism that has been unavailable to the English reader until now. Of Staiger's works, Poetics is probably the most radical, the most disruptive, for it constructs a revolutionary new poetics and erects it alongside the old traditional Aristotelian one. Here Staiger challenges the usefulness of the most distinguished of Western literary critical paradigms, the genre theory, that since the eighteenth century has been part of critics' indispensable theoretical equipment-- a sort of literary sine qua non. In its stead, Staiger proposes to explain literary genres on the basis of fundamental patterns of literary creativity. He selects his examples from various European literary traditions, thus engaging the scholar as well as the comparatist in national literatures. By choosing an inductive method, he speaks to all concerned with literary values.In her introduction, Luanne Frank establishes how the Poetics mediates between those modes of criticism current in the 1940s and those of the 1980s, as well as between those held by European scholars and those embraced by American scholars. Frank places Staiger's work within the history of genre criticism from an American perspective, defines its goals and merits, and formulates a critical response long overdue in Europe and most welcome in the United States. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780271027807
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 5553067-n
Cantidad disponible: 2 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 236 pages. 8.80x6.00x0.70 inches. In Stock. Nº de ref. del artículo: __0271027800
Cantidad disponible: 1 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 5553067
Cantidad disponible: 2 disponibles